Showing posts with label Cassandra Railly. Show all posts
Showing posts with label Cassandra Railly. Show all posts

Wednesday, May 17, 2017

12 MONKEYS: Season 3 pre-binge thoughts…

Some last-minute SEASON 3 thoughts and wishful thinking…

TUNING FORK/TEMPORAL FENCE?

I still like my previous thoughts on this device as something that helps James focus his abilities, or as a piece of appropriated Witness/Black Hat tech that he psychometrically reads.


However, over the weekend I caught an ad on Syfy that shows James apparently planting the/a fork in the ground, like a flag. Maybe he just needed to support his weight on a trek or climb, but it really had the feel of a claim or border staking, y'know? Makes me think that it may be used to set up a spacetime perimeter, perhaps to protect a region of time and space around 2044 and the Splinter Facility. Or maybe a temporal roadblock, to protect the past from further interference from the future. The idea would be that wherever and whenever these forks are planted some kind of temporal interference wave would be generated, causing time traveling and time scanning tech originating from the future to read only noise. Maybe only one needs to be placed, maybe a set of them, to define a fence, wall, or ring.

Hrm…Maybe it's a temporal perimeter alarm, a tripwire for an early warning system for Cole and Team Splinter?


THE BLACK HATS.

Are the hats functional? A component that's paired with the vests? And matching shoes and gloves? Is there a lot of rain (or too much sun?) in the far future? Or in the red tea zone? The rain always HAS washed away most of the blood, right?


What about the style/design? We look at the Witness in Titan, and his followers all wear uniforms based on his garb. So, just for the heck of it, let's assume the Black Hats are doing the same, dressing to honor and identify with their leader. Who do we know that kind of owns that silhouette?

Tall Man! Possibly and/or Tall Dad, now that we've seen him.

So, I'm predict-o-hoping that we'll see Tall Man stage a coup in Titan, having recruited a chunk of the Witness's followers to his own brand of Time-entology, and scarper off to some hidden Time fortress or zone of his own. Could there be a second Titan? Why build one when you can have two for twice the price, right? From there he did/can/will launch his attacks on our Team Splinter and the Witness in order to ensure some cosmic outcome or order—or chaos, he seems to like that—of his own.

I really do like that option. He gets to throw off the rigid fate-itude of the Witness's machinations. He gets to kick the Witness in the pants for deceiving his Messenger mother (Mantis/Vivian/Mother). And with a Time force of his own, he will get the chance to "set things right." Remember what she told Tall Boy on her death bed in 1971…
MOTHER: Have faith that the Witness has spoken, and that one day you, my son, will set things right…
And he can launch his coup while the Witness is weak, a child or adolescent, still learning the Witness trade. Remember, he's *safe* in Titan. No one's saying he's *powerful* in Titan. Maybe Tall Man's schism is history to the Witness's personal timeline, but (intentionally?) hidden from him since he was a child or youth at the time and required/requires TM's apparently faithful service in the late 20th and early 21st centuries.

In any case, if Tall Man does break away with his own Time-tech-savvy army, he becomes a perfect greater enemy to both Team Splinter and the Witness.


JENNIFER + DEACON!

DEACON: See something you like, Granny?
JENN: Not yet.
Jennifer 2044 recognizes Deacon and we think the "not yet" refers only to the scar on his face. I think and hope now that it means Deacon himself, whom Jennifer 2016 will eventually fall for. They have the clever/snarky pop culture common ground and "self preservation was never my thing" could probably apply to both of them at the right time. Also, crazy as it seems, Deacon killing her was kind of the ultimate ice breaker. A testament to the talents of the creators and writers.

I love it when Deacon nods in approval at…
JENN: It's better to have a hen today…then an egg tomorrow.
What's the best "ship" tag for them? #Jenncon? #Deanifer? #Teddifer? #Jennodore?

And of course Deacon survived the attack on Titan! He's safe under that dumpster—duh! =)

Seriously, tho. He definitely survived. He's f@cking Deacon! Captured, maybe, scarred, definitely, but not dead. I like him for an unlikely knight of Time. I saw some fan art that evoked for me the Hound of GAME OF THRONES—Deacon Clegane. I so want that. Protector of one Mother (of the Witness) and partner of another (of the Daughters)?


FURTHER (PAST) ADVENTURES OF AGENT GALE.

I really need the S-Files ("S" for "Splinter" =) of Agent Robert Gale revealed this season. At least ONE of them, pretty pleez?
GALE: Y'know, Cole. I've known you a long time…
COLE: Whaddyamean? We met once, in 44, right?
GALE: Right…
And I *so* want his granddaughter to be staking out the Emerson in the hopes of meeting, and helping, Cole and company. Remember, there was an empty TaB can in room 607.


TITAN ICON/SIGN OF THE WITNESS.

I'm really hoping we'll see a meaningful origin or explanation of the Titan icon. It evokes a figure and an arrow. Seeing an arrow in the world of 12 MONKEYS, I think of Time. So it makes sense that it would be a representation of the Witness himself—a being of Time. Who first makes the mark, tho? I know the teaser showed us the icon painted in red (blood?) on a wall, with Jennifer and probably young W gazing at it, but I'm not convinced that's the moment of its creation. Does it create itself? Copied from one of the pendants? Perhaps it originates with the Druze, once they learn what the Witness is and can do. It's their sign for him, glazed into their centuries-old pottery time capsules.

Other ways to read the glyph? It could be two figures, defining the arrow with the space between them. Cassie and Cole? Back-to-back step dancing? =)

I wonder if it tessellates interestingly. I think the result would give us a kind of a mask, not Witness/plague doctor shaped, tho. Maybe its first inscription is in a different orientation, as an arrow pointing to something.


THAT KID.

Remember that time when Whitley, Deacon, and company were on patrol while the red skies were moving in? They run into a kid whom they assume came from a closeby refugee settlement…
KID: They're all gone…
WHITLEY: Your parents…They get caught in it?
KID nods, then walks back into time storm…
Think we'll get to see the other side of that storm this season? See where and when that kid came from as well as who his parents are?

Of course I *want* him to be young Witness, and his parents, "caught in it," would be Cassie and James. Maybe little Hot Pocket is being put through some tests or training by Tall Man using the splinter tunnels of Titan, or experiencing the onset of his temporal abilities in an unexpected and uncontrolled way.


Only two days til the 3-night event! Guess we'll get some answers soon enough =)

Unmake history!

Keep on keepin' on~

Sunday, April 23, 2017

12 MONKEYS: Season 3 Teaser (now w/visual aids)


********************

I posted a version without screenshots here. Along with the stills, this v.2 is slightly wordier (can you believe it?), including some edits and additions to the first post’s text/crazy talk.

********************

So…Syfy’s posted a new trailer for season 3 of 12 MONKEYS. Usually, I would do my best to dodge promos before a show or movie is actually released. I like to get hit w/the text with minimal hints and no spoilers, as little pre-text as possible. But, given the paradigm-shifting “linear-binge” release of this season—leave it to 12 MONKEYS to Splinter an entire season (encompassing centuries =) into a single weekend, with all 10 episodes beamed in order over May 19, 20, and 21—I’m thinking I’ll need to get my wheels-spinning crazy talk wherever I can. And thusly, I ramble…





The first new shot of Cole, from the front (against Raritan National Labs?) and then from behind (against Times Square from I, LEGEND?), has him holding a tech-festooned staff. The design calls to mind a computerized tuning fork, *just* the thing for time/dimension/reality-hopping, or tuning/dialing. Perhaps one of its components is a tank of red tea, reloadable via Keurig-like cartridges? With a regulated IV feed or retractable needles in the handle? Maybe this device enhances or adapts Cole’s mental time travel abilities, allowing him to view specific points in time or even what-if?s. Could it be a way to enable him to physically travel? A staff version of the vests? =)



Titan appears as a complex/city in the distance with a sea with rocks or wreckage or maybe ice floes in the foreground. Does Titan only move in Time and not space (relative to the Earth)? Is it always in Colorado? Climate change is real, people! It's not magic…It's science!

We see someone with great posture ascend the steps within Titan to meet w/Tall Man, or perhaps his father, both surrounded by robed figures. RE: that posture…It reminds me of Ethan Seki, but knowing that he’s in this season, I’m thinking Gaius Baltar.
Someone sits at the center of a spiral of glyphs drawn in white on a dark floor. My funnest thought about these is that they might be a new form of math, notation, and/or language, developed specifically to describe and understand Time. Unfamiliar to most humans, but somehow native and natural to Time. These characters represent values, constants, operators, functions, ripples, and paradoxes and describe relationships between them that we wouldn’t understand, but someone whose mind is steeped in Time would. The Witness…maybe Primaries…maybe maybe some human geniuses or those with an intuitive knack and understanding of Time…
That first shot of the four hat-and-coated figures, silhouetted in the fog or smoke in the dark…The three lights on each of their vests powering on…Gorgeous! Evokes DARK CITY for me (a good thing =), and some kind of clockwork men. I want the tech to be embedded in these people, but a later shot shows us that this is likely tech mounted on a vest. Portable Splinter/Titan units, a la Doctor Who’s Vortex Manipulators? In a future world (like, the future of the future, post-2044) of 12 MONKEYS, that’s where my head immediately goes. Although, honestly, that seems very unfair, no?

Still, if that IS what they are, I'd associate them with some very interesting story/logic that necessitates their not being usable before some year. After all, if the Witness's forces *ever* had this tech, they could have used it in the times Team Splinter has visited, right? Maybe the use of these vests shreds spacetime, and jumping back beyond a certain point would undo their invention in the first place? Or, y'know, something like that. =)

I’m *really* hoping that these figures are Something Else, tho. At the bottom of the season 3 poster, we see them standing in front of a console with the Witness’s/Titan symbol, and so, we want to associate them, right? But what if that’s just a couple of these…Time Shadows entering the Titan city limits? What if these guys are representatives of another player in the war across/for time? Perhaps descendants of the Witness and the Titanians, who know more than W does…Or are using W as their agent in their relative past?

Or maybe they serve a Time Variance Authority. Some organization—who knows under what authority/morality?—that watches over and polices Time and History, countering and punishing anyone who seeks to change too much. Maybe to preserve their own existence, Time’s existence (assuming damage is done by reckless splintering), or their own ideal mission outcome.

Cuz, how great would it be to have everyone we know, set up as enemies and rivals in so many permutations, ultimately be on the same side versus some (apparently) greater Time fascist?

Or greater threat to Time itself? If we take the Red Forest being an End-of-Time paradise as a feint, constructed to get all the splinter chess pieces into the right places to bring about the birth of the Witness, then the Witness was never really about that, right? Maybe he didn’t come up w/that threat himself, tho. What if he adapted it from a greater threat to Time? So…Casserole & Son (*and* Jones, Jennifer, Ramse & Son, Olivia, the Daughters, the X-Monkeys, & Agent Gale, Primaries, Monkeys, Druze et al) are destined to fight someone who truly does want to destroy all of Time and replace it with… Well, nothingness seems like a good ultimate goal, let’s go with that for now.

What if the super-future is amazing, but in a universe in which time travel is ever invented, history must be choreographed in order for it to be realized and persist? So, this paradise future has a black ops arm that manipulates events in the past to keep it safe. The paradise is a wonderful destiny for humanity, but it robs humans in the past and present of free will. Which side would you fight for in that scenario?

Hrm…Looking a little harder at the season 3 poster again…Are there four Time Shadows (that works, right?) holding, like, an Ark of the Witness between them? I thought it was some kind of console/control panel, but now I’m seeing it differently. Interrrresting…
  • A funeral for Time? For the Witness?
  • A Time bomb?
  • If the vests aren’t vortex manipulator-y, maybe their portable splinter device?
  • A Witness trap or cage?
  • Time picnic dinner?
The Word of the Witness is shown preserved in plastic or lucite, hanging in a candelabra-lit room, a red-vine patterned banner (or glass pane?) behind it. Its Ramse-torn corner is still absent. Does Ramse still have that swatch tucked in a coat pocket somewhere?
COLE: The man behind the apocalypse is my son?
Seems like Cassie’s breaking the news to him there. What if this is soon after the pointing-the-gun-at-wee-Witness scene? What if he draws on L’il W, hesitates, and Cassie finds him, stops him, and explains the horr-ironic truth?

Meet Johnny (Night Room), Jr. =)
A clip of some creepy Edgar Allen Poe-y Masque(rade) of the Red Death…EYES WIDE SHUT Cole and Cassie apparently in attendance. Hrm…Red Death…I had a theory back in season 1 that the Army might be an influence throughout history responsible for all major epidemics/plagues, as a way to thin the herd, perhaps disable or control meddling Primaries, and keep a population manageable via their resources and manipulations.

Cross fade to Cass and Cole going Nicholas Nickleby/Christmas Carol on some cobblestoned street…
KATARINA: It's been about them…
That's Jones apparently referring to Cass and Cole.

[aside]
What would Cassandra name her child? I’m guessing, sadly, that Cole won’t be present for the birth. Assuming it’s a boy, maybe she’d go with her father, whom we haven’t met yet. Has Cassie mentioned him by name on the show? If not that grandpa, then how about Cole’s father, Matthew? (I don’t think we have confirmation that he’s James’s bio dad, but we never saw anyone question it.) Or—How about someone important to *both* of them? The person responsible for bringing them together? Katarina Werner Jones! Boy, *that’s* gotta sit well with Katarina, eh? (see/watch above line of dialogue =)




[/aside]
RAMSE: About time we set things straight…
If that is actual dialogue between Jones and Ramse, it signifies the formation of an alliance, between Ramse (and Olivia and her X-Mon/Orphans of Time) and Jones and Project Splinter. Their goal? To undo and/or destroy the Witness, which would likely pit them against one or both of his parentals. Ramse *does* like to boast about how he eats blondes for breakfast…~
Next we see an eyes-burning return to the Emerson Hotel, sometime in the mid to late 80s.

Will we ever see the lightning storm/strike that freezes the lobby’s clock? =)
Cole is dressed as Marty McFly. O, man! Are we gonna get an in-universe origin/inspiration encounter for BACK TO THE FUTURE? Whoa…

So, how about this? Agent Gale’s granddaughter, Roberta, has somehow inherited his dossier on his wacky misadventures with Cole & the Gang, and is staking out the Emerson in the 80s, perhaps at her grandpa’s direction, but maybe on her own. She meets them, maybe joins them in splintering, if the tech allows (Deacon as Time…ummm…Peter? Paul? Judas doesn’t seem right, right? =) helps them out, but of course, is sworn to secrecy—who’d believe her, anyway?—but hey, disinformation as a 3-movie franchise wasn’t disallowed, right? Story credit: Bob Gale. =)
CASS: Help me save him.
It’s just a pronoun, people. "Him" could be anyone…Junior/Witness, Cole, Deacon, Nessie the Time Puppy… =)
Christopher Lloyd, wearing the Titan pendant, apparently standing in an event-y tent illuminated by standing and hanging lamps…a remote location? An excavation site? A wedding reception? A pop-up portrait studio?

The pendant and wardrobe sells the Tall Man's father identity pretty hard. As far as we know, he wouldn’t have any Messenger blood. So, if he’s not enhancedly long-lived, what era/s would he have been operating in? Given the garb, perhaps from within the clergy? Maybe late 19th century into the first half of the 20th, to find/meet Vivian in the 40s. There’s gotta be a story there about why/how Vivian returns to the Army after rejecting the Witness. I still would really love for Tall Man to be playing a long con within the Army, a sleeper agent of revenge upon the Witness for doing his mother wrong.

Maybe Christopher Lloyd's playing TM’s *adopted* father or Army mentor? Cuz I still *really* want his biodad to be Agent Gale! =)

Oh! What if he’s a missionary to the Druze?! Oooooo…I *like* that. That’s how/why he acquires the Titan pendant. In this scenario, he might not even be part of the Army! Although, if not, then he’s definitely an unwitting pawn or asset of theirs. Yeah, I definitely like that.
COLE: If there's something wrong with him, he got it from me…
We see some drawings of gun-pointing Cole, surrounded by arcane, rune-ish characters… There’s also a shot somewhere earlier in the teaser, looking down on a figure in the center of a spiral of similar marks on a floor, suggesting that the figure has drawn them. Jennifer? Young W?

What if these aren’t all different drawings of the same moment, but of two? One in which James reconsiders killing the Witness, and a second in which he follows through?

What if what if—relative to James’s personal timeline—the first time is when W is an adult and the second time is when he’s a child? OOooooooo~ That would be a history-rewriting temporal nukular option! =)
The drawings are followed by a matching image of Cole pointing the gun in reality, the exact some POV. If this were season 2, I’d say the drawings were done by a Primary who’d been targeted by Cole. His mission would have been to kill the Primary before a Messenger could paradox him or her. Could that strategy still be in play by the Witness or another party?

Or are these drawings by the Witness, who has seen that Cole would come for him as a child? Does Cole know at this gun-pointing time that W is actually Jimmy, Jr.? I’m guessing not. Hrm…

As determined as Cole might be to do in baby Witler, pointing his gun at any child should give him pause, especially with his own child no doubt foremost in his thoughts, separated by centuries.
We see Katarina approaching the mothballed/covered up Splinter device. A beautiful moment I think. When is this? In history and in her personal timeline? Could this be a flashback to when she first arrives at Raritan National Labs from Spearhead? Or a visit that calendar-year predates that (maybe in Kat’s past, maybe her future), after the Army shut down Mr. Dr. Jones when Cole and Ramse went off-Word. Or her return to the lab, in a future (splintered-forward?) visit, post-2044.

OLIVIA: …the very edge of time…an inch from falling over…

I *think* that’s what she says. Is there an End of Time? Following thru on the idea that Time is a living thing, given life by Humanity, the End of Time would be coincident with the end of Humanity. Maybe Titan’s “home” setting is that era? If only Titanians live then, then they (and their one or few Primaries) basically ARE Time, no? Whoever lives then, would essentially *be* Time.
We see someone bathed in the *golden* light of the Beast. This splinter event does not look optimal. Hopefully the splinterer survives…. Remember that the splinter beam goes to yellow/gold when zapping forward in time, and blue when zapping backward. I believe red is shutdown-slash-fail.

Hrm…Those splinter colors do seem to match those of the lights on the Time Vests…Time Packs?
We see Cass approach a pedestal with a Witness plague doctor mask mounted on it…The mask is lit from above, but the space is lit by candles. This may be the same space in which the WotW is hanging.
JENN: Stop talking like a super villain.
Jennifer continues to rock! Olivia and Jennifer seem to be speaking to each other through a chain link fence. Olivia’s lucky there’s something separating them, cuz *that* is going to be an interesting reunion. I wonder how close the nearest stabby item is when that happens. =)

THE COMPLETE
NEW SEASON
KATARINA (or the new girl?): Don't make me put you down…
As Jones pushes thru double doors (at Project Splinter?)…Daughters behind her?


JENN: They're coming—they're coming!
This may be Jennifer the Titan-zapped girl-out-of-time dropped into WW1 (or later, 2?), exercising her Primary abilities to warn her unwitting captors or guards of imminent Monkeys Army meddling.
DEACON: Go!
This looks like a shot from the season 2 finale, caught between a rock and robed-and-masked place, facing Witness acolytes in Titan, holding the pass so that Jennifer can escape get coin-tossed into Time. Maybe just cuz that footage is available, but maybe cuz we’ll see it again when we learn how he survived.
Ramse, leading with a gun and firing…Nothing new there, right? Actually, when I saw this, something in the shot, maybe the building interior, got me thinking this might be from Berlin.

IN ONE
WEEKEND EVENT
CASS: He's mine…
Cut to Cass apparently giving birth…a new age-y red leaf infused water birth?
Tall Man looking true-believer-ecstatically pleased…Maybe a shot we’ve already seen?
EVIL ANNIE LENNOX: You can't have him…
She's sporting a 3-lights vest vortex manipulator over her MIB/Stranger/Observer/Chosen One/Time Shadow coat…
Jenn and Cole stomping thru a complex (looks like Project Splinter), Cole loading his gun, Jenn following…
A chapel or small-ish cathedral (I don’t know what determines the difference), the sanctuary heavily candlelit…Are the walls decorated with gilded red vines? A figure before a table before the altar with his back to the pews…It seems the voice we hear should belong to that figure…
W: Mother…Father…After all this time…
Two people walk down the aisle, approaching the figure at the front of the chapel… Seems like Cass on the left, Cole on the right, guns in hand, possibly in those black coats—in disguise?—maybe wearing Time Vests.

Did Cass and Cole ever officially get hitched? Maybe their ordained son can marry them here? =)

Looking harder at this still, I’m seeing that the Witness is standing facing a casket! Is this then a very poorly attended funeral service? Who died? Tall Pops, perhaps? Or is the casket empty? A funeral for Time? Or is it not a box for a body, but an item, a device or a trap? Is this the “Ark” that the four Time Shadows carry in the season 3 poster? Pallbearers of Time?

A Time capsule! Some artifact in this past era that needs to be preserved for use in a future one. Could this be the origin—or a stopover?—for the Annapurna Remains?
Cut to a figure raising a mask to reveal his face during "After all this time…"

Knowing that James “Gaius Baltar” Callis is in this season, I think it's him and his Brit-ish/aristocratic accented voice. Not sure that the unmasking happens in that same chapel space or as part of that same scene.

Based on W’s choice of words, seems like Cass will be separated from her son at some point in his infancy. Sad. =(

Then again, if that’s the case, who’s to say that this person confronting them *is* actually Jimmy, Jr., huh? =)

12 MONKEYS
NEW SEASON
MAY 19


It’s later than you think =)

Keep on keepin’ on~

Tuesday, April 11, 2017

12 MONKEYS: Season 3 Teaser



So…Syfy’s posted a new trailer for season 3 of 12 MONKEYS. Usually, I would do my best to dodge promos before a show or movie is actually released. I like to get hit w/the text with as few hints as possible. Go in with as little pre-text as possible. But, given the paradigm-shifting “linear-binge” release of this season—leave it to 12 MONKEYS to Splinter an entire season (encompassing centuries =) into a single weekend, with all 10 episodes beamed in order over May 19, 20, and 21—I’m thinking I’ll need to get my wheels-spinning crazy talk wherever I can. And thusly, I ramble…

*UPDATE*
I tapped out an updated version of this breakdown—with screenshot visual aids!
Read it Blogged or Tumbl'd.



The first new shot of Cole, from the front and then from behind, has him holding a tech-festooned staff. The design calls to mind a computerized tuning fork, *just* the thing for time/dimension/reality-hopping, or tuning/dialing. Perhaps one of its components is a tank of red tea, reloadable via Keurig-like cartridges? With a regulated IV feed or retractable needles in the handle? Maybe this device enhances or adapts Cole’s mental time travel abilities, allowing him to view specific points in time or even what-if?s. Could it be a way to enable him to physically travel? A staff version of the vests? =)

Titan appears as a complex/city in the distance with a sea with rocks or wreckage or maybe ice floes in the foreground. Does Titan only move in Time and not space (relative to the Earth)? Is it always in Colorado? Climate change is real, people!

We see someone with great posture ascend the steps within Titan to meet w/Tall Man, or perhaps his father, both surrounded by robed figures. RE: that posture…It reminds me of Ethan Seki, but knowing that he’s in this season, I’m thinking Gaius Baltar.

That first shot of the four hat-and-coated figures, silhouetted in the fog or smoke in the dark…The three lights on each of their vests powering on…Gorgeous! Evokes DARK CITY for me (a good thing =), and some kind of clockwork men. I want the tech to be embedded in these people, but a later shot shows us that this is likely tech mounted on a vest. Portable Splinter/Titan units, a la Doctor Who’s Vortex Manipulators? In a future world (like, the future of the future, post-2044) of 12 MONKEYS, that’s where my head immediately goes. Although, honestly, that seems very unfair, no?

Still, if that IS what they are, I'd associate them with some very interesting story/logic that necessitates their not being usable before some year. After all, if the Witness's forces *ever* had this tech, they could have used it in the times Team Splinter has visited, right? Maybe the use of these vests shreds spacetime, and jumping back beyond a certain point would undo their invention in the first place? Or, y'know, something like that. =)

I’m *really* hoping that these figures are Something Else, tho. At the bottom of the season 3 poster, we see them standing in front of a console with the Witness’s/Titan symbol, and so, we want to associate them, right? But what if that’s just a couple of these…Time Shadows entering the Titan city limits? What if these guys are representatives of another player in the war across/for time? Perhaps descendants of the Witness and the Titanians, who know more than W does…Or are using W as their agent in their relative past?

Or maybe they serve a Time Variance Authority. Some organization—who knows under what authority/morality?—that watches over and polices Time and History, countering and punishing anyone who seeks to change too much. Maybe to preserve their own existence, Time’s existence (assuming damage is done by reckless splintering), or their own ideal mission outcome.

Cuz, how great would it be to have everyone we know, set up as enemies and rivals in so many permutations, ultimately be on the same side versus some (apparently) greater Time fascist?

Or greater threat to Time itself? If we take the Red Forest being an End-of-Time paradise as a feint, constructed to get all the splinter chess pieces into the right places to bring about the birth of the Witness, then the Witness was never really about that, right? Maybe he didn’t come up w/that threat himself, tho. What if he adapted it from a greater threat to Time? So…Casserole & Son (*and* Jones, Jennifer, Ramse & Son, Olivia, the Daughters, the X-Monkeys, & Agent Gale, Primaries, Monkeys, Druze et al) are destined to fight someone who truly does want to destroy all of Time and replace it with… Well, nothingness seems like a good ultimate goal, let’s go with that for now.

What if the super-future is amazing, but in a universe in which time travel is ever invented, history must be choreographed in order for it to be realized and persist. So, this paradise future has a black ops arm that manipulates events in the past to keep it safe. The paradise is a wonderful destiny for humanity, but it robs humans in the past and present of free will. Which side would you fight for in that scenario?

Hrm…Looking a little harder at the season 3 poster again…Are there four Time Shadows (that works, right?) holding, like, an Ark of the Witness between them? I thought it was some kind of console/control panel, but now I’m seeing it differently. Interrrresting…
  • A funeral for Time? For the Witness?
  • A Time bomb?
  • If the vests aren’t vortex manipulator-y, maybe their portable splinter device?
  • A Witness trap or cage?
  • Time picnic dinner?
  • The Word of the Witness is shown preserved in plastic panes or lucite, hanging in a candelabra-lit room, a red-vine patterned banner (or glass pane?) behind it. Its Ramse-torn corner is still absent. Does Ramse still have that swatch tucked in a coat pocket somewhere?
COLE: The man behind the apocalypse is my son?
A clip of some creepy Edgar Allen Poe-y Masque(rade) of the Red Death…Cole and Cassie apparently in attendance. Hrm…Red Death…I had a theory back in season 1 that the Army might be an influence throughout history responsible for all major epidemics/plagues, as a way to thin the herd, perhaps disable or control meddling Primaries, and keep a population manageable via their resources and manipulations.

Cross fade to Cass and Cole going Nicholas Nickleby/Christmas Carol on some cobblestoned street…
KATARINA: It's been about them…
That's Jones apparently referring to Cass and Cole.

[aside]
What would Cassandra name her child? I’m guessing, sadly, that Cole won’t be present for the birth. Assuming it’s a boy, maybe she’d go with her father, whom we haven’t met yet. Has Cassie mentioned him by name on the show? If not that grandpa, then how about Cole’s father, Matthew? (I don’t think we have confirmation that he’s James’s bio dad, but we never saw anyone question it.) Or—How about someone important to *both* of them? The person responsible for bringing them together? Katarina Werner Jones! Boy, *that’s* gotta sit well with Katarina, eh? (see/watch above line of dialogue =)

So, how about Jones? Like the space cat in ALIEN! Or Jonas? Jonas Cole. Jonas Railly? Or…Werner? Not so cute, but somehow fitting for a Witness-to-be, eh? Werner Cole, The Witness. Yeah. That’ll look good on his business card. =)
[/aside]
RAMSE: About time we set things straight…
If that is actual dialogue between Jones and Ramse, it signifies the formation of an alliance, between Ramse (and Olivia and her X-Mon/Orphans of Time) and Jones and Project Splinter. Their goal? To undo and/or destroy the Witness, which would likely pit them against one or both of his parentals. Ramse *does* like to boast about how he eats blondes for breakfast…~

Next we see an eyes-burning return to the Emerson Hotel, sometime in the mid to late 80s.

Will we ever see the lightning storm/strike that freezes the lobby’s clock? =)

Cole is dressed as Marty McFly. O, man! Are we gonna get an in-universe origin/inspiration encounter for BACK TO THE FUTURE? Whoa…

So, how about this? Agent Gale’s granddaughter, Roberta, has somehow inherited his dossier on his wacky misadventures with Cole & the Gang, and is staking out the Emerson in the 80s, perhaps at her grandpa’s direction, but maybe on her own. She meets them, maybe joins them in splintering, if the tech allows (Deacon as Time…ummm…Peter? Paul? Judas doesn’t seem right, right? =) helps them out, but of course, is sworn to secrecy—who’d believe her, anyway?—but hey, disinformation as a 3-movie franchise wasn’t disallowed, right? Story credit: Bob Gale. =)
CASS: Help me save him.
It’s just a pronoun, people. "Him" could be anyone…Junior/Witness, Cole, Deacon, Witness the Time Puppy… =)

Christopher Lloyd, wearing the Titan pendant, apparently standing in an event-y tent illuminated by standing and hanging lamps…a remote location? An excavation site? A wedding reception? A pop-up portrait studio?

The pendant and wardrobe sells the Tall Man's father identity pretty hard. As far as we know, he wouldn’t have any Messenger blood. So, if he’s not enhancedly long-lived, what era/s would he have been operating in? Given the garb, perhaps from within the clergy? Maybe late 19th century into the first half of the 20th, to find/meet Vivian in the 40s. There’s gotta be a story there about why/how Vivian returns to the Army after rejecting the Witness. I still would really love for Tall Man to be playing a long con within the Army, a sleeper agent of revenge upon the Witness for doing his mother wrong.

Maybe Christopher Lloyd's playing TM’s adopted father or Army mentor? Cuz I still *really* want his biodad to be Agent Gale! =)
COLE: If there's something wrong with him, he got it from me…
We see some drawings of gun-pointing Cole, surrounded by arcane, rune-ish characters… There’s also a shot somewhere earlier in the teaser, looking down on a figure in the center of a spiral of similar marks on a floor, suggesting that the figure has drawn them. Jennifer? Young W?

The drawings are followed by a matching image of Cole pointing the gun in reality, the exact some POV. If this were season 2, I’d say the drawings were done by a Primary who’d been targeted by Cole. His mission would have been to kill the Primary before a Messenger could paradox him or her. Could that strategy still be in play by the Witness or another party?

Or are these drawings by the Witness, who has seen that Cole would come for him as a child? Does Cole know at this gun-pointing time that W is actually Jimmy, Jr.? I’m guessing not. Hrm…

We see Katarina approaching the mothballed/covered up Splinter device. When is this? In history and in her personal timeline? Could this be a flashback to when she first arrives at Raritan National Labs from Spearhead? Or a visit that calendar-year predates that (maybe in Kat’s past, maybe her future), after the Army shut down Mr. Dr. Jones when Cole and Ramse went off-Word. Or her return to the lab, in a future (splintered-forward?) visit, post-2044.
OLIVIA: …the very edge of time…an inch from falling over…
I *think* that’s what she says. Is there an End of Time? Following thru on the idea that Time is a living thing, given life by Humanity, the End of Time would be coincident with the end of Humanity. Maybe Titan’s “home” setting is that era? If only Titanians live then, then they (and their one or few Primaries) basically ARE Time, no? Whoever lives then, would essentially *be* Time.

We see Cass approach a pedestal with a Witness plague doctor mask mounted on it…The mask is lit from above, but the space is lit by candles. This may be the same space in which the WotW is hanging.
JENN: Stop talking like a super villain.
Jennifer continues to rock! Olivia and Jennifer seem to be speaking to each other through a chain link fence. Olivia’s lucky there’s something separating them, cuz *that* is going to be an interesting reunion. I wonder how close the nearest stabby item is when that happens. =)

THE COMPLETE
NEW SEASON

KATARINA (or the new girl?): Don't make me put you down…

As Jones pushes thru double doors (at Project Splinter?)…Daughters behind her?
JENN: They're coming—they're coming!
This may be Jennifer the Titan-zapped girl-out-of-time dropped into WW1 (or later, 2?), exercising her Primary abilities to warn her unwitting captors or guards of imminent Monkeys Army meddling.
DEACON: Go!
This looks like a shot from the season 2 finale, caught between a rock and robed-and-masked place, facing Witness acolytes in Titan, holding the pass so that Jennifer can escape get coin-tossed into Time. Maybe just cuz that footage is available, but maybe cuz we’ll see it again when we learn how he survived.

Ramse, leading with a gun and firing…Nothing new there, right? =)

IN ONE
WEEKEND EVENT
CASS: He's mine…
Cut to Cass apparently giving birth…a new age-y red leaf infused water birth?

Tall Man looking true-believer-ecstatically pleased…Maybe a shot we’ve already seen?
EVIL ANNIE LENNOX: You can't have him…
She's sporting a 3-lights vest vortex manipulator over her MIB/Stranger/Observer/Chosen One/Time Shadow coat…

Jenn and Cole stomping thru a complex (looks like Project Splinter), Cole loading his gun, Jenn following…

A chapel or small-ish cathedral(?), the sanctuary heavily candlelit…Are the walls decorated with gilded red vines? A figure before a table before the altar with his back to the pews…It seems the voice we hear should belong to that figure…
W: Mother…Father…After all this time…
Two people walk down the aisle, approaching the figure at the front of the chapel… Seems like Cass on the left, Cole on the right, possibly in those black coats—in disguise?—maybe wearing Time Vests.

Cut to a figure raising a mask to reveal his face during "After all this time…"

Knowing that James “Gaius Baltar” Callis is in this season, I think it's him and his Brit-ish/aristocratic accented voice. Not sure that the unmasking happens in that same chapel space or as part of that same scene.

Based on W’s choice of words, seems like Cass will be separated from her son at some point in his infancy. Sad. =(

Then again, if that’s the case, who’s to say that this person confronting them *is* actually Jimmy, Jr., huh? =)

12 MONKEYS
NEW SEASON
MAY 19



It’s later than you think =)

Keep on keepin’ on~

Sunday, July 17, 2016

12 MONKEYS: Theory-palooza!



Gonna throw everything, theory-wise, that I’ve got cooking in my so-called brain out here and see what sticks. =)

Well, y'know, not quite *everything*, but whatever I can think of that has a bit more than just hey-what-if? behind it… Stuff that’s at least, umm, let’s say… half-baked.

Mostly. =)

I’m gonna try and keep the crazy-talk-splanations short. If you’ve read my rambling before, you know it tends to get away from me. Some of what follows has been covered in longer posts already.

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ELLIOT JONES IS THE WITNESS

Elliot Jones invents time travel into the future. In inventing that, he’s also responsible for the creation of red leaves. He’s also the first person, umm, causatively(?), not chronologically, to get a chance to experiment with them in a mind-expanding way. Given his hippie demeanor, I can easily imagine him rolling the leaf before crushing it. =)

So, he’s the first human being to visit the red tea zone, the limbo outside of Time and reality, the eventual home of the Red Forest. Without the guidance of a Primary or someone with a mental map, like Olivia, who knows what Elliot’s experience would be like? Maybe raw, unguided exposure to the red tea zone is what makes Elliot the Witness, what causes/allows him to “see everything,” like the ant stepping out of the (Time) line.

And maybe he becomes the Witness that Cassie, Olivia, and Tall Man meet in the House of Cedar and Pine when he’s on one of his mind-expanding trips and his body is destroyed and consumed by a paradox event, the one that creates the Red Forest, perhaps the 1957 Melinda paradox, or maybe as part of the chaotic Splinter event at Raritan Valley in 1957, or perhaps a physical meeting with himself, once he himself becomes a chrononaut.

The big question mark/issue I’ve got with EJ as the Witness? Is the restoration of his consciousness into a body on the physical plane, in reality, worth all of the manipulation the Witness is responsible for?

What else is there for EJ? Saving the world/reality? Doesn’t really seem his style, except that that’s the place where he keeps all his stuff. Saving someone who matters to him? Katarina? Hannah? That seems kind of thin, too, although I do like the idea that his treatment of Katarina tugs at what there is of his humanity, as described above in DAVE-ECKLAND-IS-ELLIOT-JONES. Maybe it’s all a means to a still greater science-y powerful end? Or in service to another, greater intelligence or cause?

I’d just really like for it to be Elliot, cuz he’s there at the beginning of time travel in its technological and psychic forms, and he’d be a fitting opposite to Katarina, who declares that she’s not the physicist that reality needs, she’s the one it got by default. When I heard her say that, I immediately felt that she was talking about Elliot.

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JAMES COLE IS THE WITNESS

Duh, right? I had my doubts as to his ability to become this shadowy mastermind. James Cole’s natural bent is to take action in the moment. Get from point A to point B via a bullet, right? But what we’ve seen of Cole this season, and what Old Jennifer points out, is a transformation in Cole, growth towards becoming not just a leader, but a clever strategist, with still untapped potential.

Y'know, when he hasn’t given up on saving the world to give his lady love a pre-apocalyptic life.

Another huge asset for Cole-as-Witness is his apparent “photographic memory.” He can recall every thing he’s seen (and perhaps heard) in his experiences thus far and leverage ever piece of it to manipulate and/or re-create the scenarios and strategies he’s lived thru, but from the side of the Witness.

How does he become the Witness? I still like the idea that our Cole confronts his older, Witness’d self, and sacrifices himself in a paradox. Ideally, it would be willingly, after reasoning out that he has to take this step to save/preserve Cassie, his friends, and possibly his family. In the aftermath of the paradox event, our young Cole’s consciousness is shunted into the red tea zone, along with the house and the Red Forest, while Witness Cole is fully resolved back into reality and able to move forward with his plans in/from his base of Titan.

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JOSE RAMSE IS THE WITNESS

Yeah, I do believe I’ve covered this. =)

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SAMUEL RAMSE IS THE WITNESS

The greatest straight-line (but there are no straight lines!) explanation for how he becomes big W is that it’s the Witness who takes his hand at the end of “Meltdown.”

But, if future Samuel is the Witness, how could he safely take his hand? Simple enough—the Witness has developed technology that amounts to an essence containment suit. Wearable tech (perhaps that version of the Plague Doctor mask we’ve seen with the rebreather and other mechanical bits?) that prevents the the contact/reaction caused by close proximity with one’s out-of-time doppelganger.

I’m 50-50 on whether Samuel lands in the distant past or future. I think either could be a great setting for the Witness to raise, educate, and train his replacement—his younger self. If it’s the future, a time and place somehow AFTER all the strife and death and conflict that he’s been raised in, well, the promise of that, a non-Red-Forest truly better tomorrow would be great motivation for Sam, who as a child demonstrated a pretty altruistic philosophical stance by chiding his father for possibly sacrificing billions to save his Sam’s life. Sam seems a natural for a big-picture-valuing ethical person, someone who cares about the Greater Good/Good of the Many.

And Sam-as-the-Witness would certainly emphasize the story of Ramse going rogue to preserve his son’s existence. It might be presented as something remarkable, something to admire and aspire to (and paints the expected Traveler in a fiercely loyal and motivated light), but for Sam the Witness, it’s a reminder of how a connection or relationship can lead to disastrous decisions.

One interesting “weakness” I kind of want to attribute to a Sam Witness is the salvation of his mother, Elena. I wince a bit every time Ramse stakes his claim of “fatherhood” to Cole, but I let it go. He done and lived and sacrificed a lot for his son’s sake, never mind that he’s only spent a month of two of actual time with the boy. But never once did I hear or see him consider some time traveling shenanigans to save the life of his son’s mother. You know exactly where and when she’ll be in the future—Leave a freaking note tacked to a bulletproof vest for her in 2016!

I’d like for the Witness to have somehow saved Elena. It would be amazing if SHE’s the one who takes Sam’s hand in the green forest, altho his reaction doesn’t seem to be in line with that. At least, not if he can see her face.

Hrm… Elena as the Witness? Yeah, I’ve thought about it, and would love it, but haven’t been able to connect enough dots to build a decent story for it.

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JULIAN ADLER IS THE WITNESS

Yeah, a longshot, and the details of getting from the Adler we know to Adler-as-the-Witness are tough to imagine, but watch “Resurrection” and watch Adler.

Most of my Witness theory thinking involves one of our heroes as we know them being the pre-Witness. However, the funky looks from and at Adler in “Resurrection” seem to want to paint him as already the Witness. Having some fun in the field.

He’s programmed every Splinter mission, right? The pre-Cole “volunteers.” The errorful and malfunctioning ones. The successful (or at least, not completely disastrous) ones. What if the machine always worked as it should, but Adler’s programming caused or faked malfunctions and errors by design?

And in “Blood Washed Away,” he hits the road with Ramse and co, but at the Bleeders’ camp, he hangs back with Jennifer and the Daughters, and doesn’t go to Titan. I assume the plan is for Ramse, Marcus, Deacon, and Hannah to kill the Witness and come back for Adler’s time traveling know-how.

But his staying behind does allow for him entering Titan on his own and changing into mask and robe to join his minions—or sisters and brothers—in time for Festival.

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1957-1959 THIS WAS HOME

That message appeared on the wall in the house by the Red Forest when Olivia walked in to her red tea meeting with Mr. W. In the flow of the conversation between Olivia and Witness, it was definitely an unprompted, unconnected remark.

I want to believe that it was a message for someone else, not Olivia. That the Witness was finishing a red tea session with another visitor and that visitors are unaware of each other unless the Witness somehow wills it, even if they’re “present” at the “same time.”

Or, maybe big W was careless about erasing his message from an already complete “earlier” red tea session.

In any case, in the audience’s future, I see someone else visit the Witness and that someone enters the house “before” Olivia and maybe they’re trying to locate Cassandra and/or Cole and the Witness gives them that response: 1957-1959 THIS WAS HOME. So, it’s not meant to be taken as a first-person statement, but in reference to someone else (C+C).

Perhaps it’s red tea’d Primary Lillian who visits, attempting to find a proper time and place to intercept her parents(?).

Huh. Maybe that non sequitur *is* meant for Olivia. So that when she’s ready to take the fight to the Witness, she can exploit that information (disinformation?) to catch the Witness before he’s full Witness’d.

What *would* Olivia make of that information, anyway?

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TITAN IS DEATH

Some possibly fanciful ideas about just who’s behind the masks and hoods of the killers of Ramse, Hannah, Marcus, and Deacon at the end of “Blood Washed Away”

TITAN IS DEATH 1

Our heroes, Ramse, Hannah, Marcus, and Deacon, are killed by alternate versions of themselves. Ideally, goateed versions.

TITAN IS DEATH 2

Our heroes, Ramse, Hannah, Marcus, and Deacon, are killed by people whom they killed. Each of them is done in slightly differently, as if each killer had a favorite method, or perhaps chose to deal with their killing in different, personal, degrees of intimacy. Ramse is skewered in the chest from afar—a slow bleed, so that he would see his people go before he does. Marcus takes it in the chest—facing his killer. Hannah in the back—her killer can’t look her in the eye. Deacon’s throat is slit—very personal, intimate.

TITAN IS DEATH 3

Every mask and robe wearing Titanian is someone who was deleted from reality by a change made by a Splinter agent. Maybe the Army is made up of these orphans of Time, in need of home, family, and purpose. The Witness, Tall Man, and Titan provide all of this. They would be especially motivated to punish and prevent Project Splinter from adding to their number and possibly even undo their successes.

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DAVID ECKLAND IS ACTUALLY ELLIOT JONES

Maybe Katarina has a type? I wouldn’t have guessed it right off, but it seems like it takes a bit of a hippie-dippie scientist fellow to break through her natural defenses. Both Elliot Jones and David Eckland fit that description. Eckland with more of the truly hippie philosophy behind it, a self-proclaimed pacifist, while Jones seems dedicated to his science (and the renown it should bring him), but seems familiar with a bit of mind expansion, man. Eckland could be Jones if he really got what he wanted and/or mellowed out, y'know?

So, HOW would this happen?

Through Immersion. Oh! Did I forget to mention? In order for this to work, Elliot Jones is/becomes the Witness. David Eckland is someone whom the Witness knows is/will be immune to the virus and part of the Spearhead contingent of scientists. He’s also someone who’s experienced Immersion. Whether it was voluntary (as a member of the Army) or against his will (a conditioned abductee), I don’t know, but either way, he was treated with and immersed in red leaf sauce, making him a vessel for the Witness’s consciousness whenever necessary.

I’m gonna say that “whenever necessary” covers the months and years of Eckland’s courtship of and relationship with Katarina Jones. Maybe this is a purely recreational trip for big W. An astral vacation. Or maybe a bit of karmic adjustment, an attempt to make up for how he treated Katarina when they split back in 2015, and the pain that he caused her afterward—first as Elliot and then as the big W. As the Witness he learns that he set her on the path of considering an abortion of their child, then orchestrates the events which lead to her mourning Hannah’s loss for 20+ years. So, I like to think that he returns to her as David Eckland to bring some happiness back into Kat’s life, and maybe possibly perhaps his own. Who else could possibly be a better, proper match for the godfather of time travel than its godmother, right?

Sure, the Witness was also controlling Cassie in 2044, but it was either a past or future Witness, and while they may have appeared to be at cross purposes, both were no doubt playing his and her parts just as required. Witness-Eckland does turn out to be the “solution” to the troubles unleashed by Witness-Cassandra after all, as well as the proximate cause (the grand romantic gesture in the name of love) of the Splinter energy that spirits Samuel away. If nothing else, we know that the Witness is a master multitasker.

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PROOF OF THE UNREALITY OF C+C’s 1957-1959

A couple of aspects of C+C’s experiences from 1957 thru 1959 that may signal that they didn’t occur in the reality shared by everyone else in the show.

1. The passage of time.

I can believe in the grind of the eleven months searching for the Primary being real and lived by C+C, but the jumps in time that follow the paradox… They might be jumps experienced by C+C themselves, as well as by the audience. It reminds me of the the weirdness of time in LOST’s Sideways reality, the willful malleability of time in the virtual reality of DOCTOR WHO’s Library planet, and the way Elliot gets his consciousnes to skip to the conclusion in that one episode of MR. ROBOT.

Yeah, it’s a stretch, but I like it. And it’s a smart detail because it’s in practical service to storytelling.

2. Agent Gale.

How does neither Cole nor Cassie contact their friend in the F.B.I. while on this mission?

That they don’t ring him in the eleven months makes me suspect the reality of that time as well, but I’ll allow it. Perhaps C+C work out that there’s nothing F.B.I. resources can help them with when it comes to auditing all of the Maxwell-Rigfield factory employees.

But in the two years after the paradox…? Cole on his own? Why wouldn’t he contact Robert? He’s got an envelope with important information about his future to slip into his overcoat pocket, dammit!

And Cassie, searching for Cole/Morris Morrison? What better resource than the F.B.I.?

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LILLIAN IS THE 1957 MASSIVE PARADOX

When Charlie paradoxes Melinda, C+C are caught in the event. Serumed up, the paradox sends their consciousnesses into a virtual reality, a temporary shared universe, in which we see the 1957-1959 events they experience transpire. In this bubble universe, Lillian is born, maybe to them, but maybe not. She is a Primary, born in the bubble universe. Being a Primary, she is aware of the reality/unreality of their situation and attempts to open C+C’s eyes to it. Maybe that’s enough to crack the bubble, but what about this?

What if it takes a Primary paradox to bust them out? And Lillian offers herself up as that (being Primary, she knows it’s meant to be, y'know, if it is). And it’s HER unique Primary paradox that lights up Katarina’s readings in 2044 and results in permanent erosion of Time in the region of the Maxwell-Rigfield factory in 1957, and, for better and worse, the creation of the Red Forest in the red tea zone.

So, Melinda’s paradox is the fuse and Lillian’s is the bomb. I imagine that C+C are ejected from the bubble and red tea zone back to reality moments after Melinda’s paradox and perhaps miles away, inside or near the Raritan Valley Labs.

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RARITAN VALLEY 1957

The strange chaotic Splinter phenom that zaps those four soldiers at Raritan Valley to the future is C+C’s ticket back to 2044. Maybe these future versions of them have been hiding in the facility during the 2044 events since Meltdown. Heh. Maybe they’ve been following Raging Ramse and Imperator Primariosa on Titan Road for the last 11 months, too. And once Ramse, Hannah, Deacon, and Marcus leave Jennifer, Adler, and the Daughters behind for Titan, C+C reveal themselves and offer up a plan based on Primary intel from Lillian.

Or something.

What IS the tech that’s brought to the lab in 1957? Is it a piece of Titan in development? I so hope that it’s a piece of the “flying saucer” wreckage found in Roswell, NM. =)

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RAMSE’S WALKABOUT

What if Ramse met himself on that road? What would he tell himself? He came back ready to kill Cassie and then himself and ends up being talked into living for revenge on the Witness. Perhaps that’s exactly what future Ramse wanted him to do, but he painted the situation differently, something like what Old Jennifer tells Young Jennifer… The Old Ramse was where Young Ramse was once, and he chose to continue his walkabout and ended up living the life of a scav the rest of his (short?) life. He regrets not going back to get revenge on the people responsible for taking his son.

Yeah, not a huge redirection, right? I’m just very taken with the idea of Ramse’s walkabout being a true Walkabout, y'know? The idea is to meet yourself.

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CASSIE CLOCKED RAMSE?

Something that’s bugged me… Way back in the first couple eps of season 2, when Cole follows Jennifer up onto that rooftop in Chinatown, Ramse is also in pursuit, slightly behind Cole. He’s intercepted by someone we don’t see, tho, and knocked out. Then we see that Cassie beats Ramse to the roof resulting in the super gun fun.

The timing implies that Cassie knocked Ramse out. Can we believe that? With surprise, serum strength, and Scav King training, I suppose…

Still could it have been someone else? Could that moment have been exploited to replace or program/Immerse our Ramse? Could the Ramse we’ve known and loved in the episodes after that be a different or compromised one? He is pretty adamant about his intentional inexperience with red leaf shenanigans while working with the Army. Protest too much?

Actually, he protested just right, and it does seem in line with his personality…

Which makes it the perfect denial, right? =)

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CASSIE DOESN’T LOVE COLE
JENNIFER: I see everything. The others like me. The numbers. 607. You, her.
COLE: Cassie?
JENNIFER: You want her to love you, but she doesn’t. Being single is not the end of the world. You two together is, though.
“You want her to love you, but she doesn’t.” What do we think of that? Hasn’t the rest of Jennifer’s Primary rambling been accurate, once it’s been deciphered and connected to actual events?

Do we ever hear Cassandra tell Cole, “I love you?”

Is she taking a (sexy) one for the team? Maybe Cole pointing out that Cassandra has succeeded in getting herself to a place where she has nothing to lose opened Cass’s eyes to the notion that Cole needs something to fight for. He’s completely resigned to letting the world burn and living his life out in the past. For whatever reason, Cole is important, and needs to get back in the fight, so, she resolves to create something for him to fight for—their relationship, perhaps their child (then Ramse will have to eat his “You’ve never been a father” words).

There are worse reasons to live a lie, right?

Anyone ever read DC Comics’s NIGHT FORCE back in the early 80s?

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WHO IS ROBERT GALE’S GRANDDAUGHTER?

In 1961, he tells Cole that he has a granddaughter, age 2. So, likely born in 1959. That makes her 16 in 1975, 49 in 2009 (James’s likely birth year), 55 in 2016, 59 in 2020, and 83 in 2044. 49 is a bit on the mature side to safely bear a child, so unfortunately, my wish that Gale is James’s great grandfather is not likely to come true. Boooo…

Does this 2-yo in 1961 connect to anyone we know?

How about Cole and Cassie’s child, born in 1959? I imagine the situation in the moment would be that C+C have had their child, they’ve been inspired/motivated to rally back to the Mission, hopefully with some intel about their friends that need saving, about to acquire transpo back to the future to take the fight to the Witness in Titan, and need to place their baby with someone they trust in 1959, possibly for the long haul.

Agent Gale—and his child, apparently—to the rescue. Hell of a thing to do, but Gale is definitely one of the Good Ones.

Would any part of this interaction/transaction add to the “bum hair” tally?

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A CRUEL THOUGHT ABOUT HANNAH’S ORIGIN/SALVATION

What if Cass and Cole and Jennifer conspired to *fake* Zeit’s story and identity in order to bring Katarina hope again?

It’s possible that Cass and Jennifer pulled off such a deception without Cole’s knowledge. It depends on whether Cole ever saw Hannah on her sickbed. I don’t think we ever saw him in the same room with Katarina and Hannah. In the several attempts Cole says they made, having that happen would have tipped Katarina off.

So, Cassie’s the one who brings the girl to Jennifer and Cole in the woods. Where she’d get another/different 5-yo, I do not know. But on seeing her, Cole wouldn’t know it’s not her. And although Jennifer never sees Hannah’s face in Spearhead, I think her Primary abilities would clue her in if Cassie tried to pull a fast one like this on her own.

Technically, to escape the loop, two things had to happen…

1. Jennifer had to escape her execution.
2. Katarina had to mourn her daughter’s death.

So, saving Hannah was above and beyond, but certainly worth the effort to pull Katarina back from the precipice of despair.

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“WHERE ARE YOU RIGHT NOW?”

In the moment, seeing Cassie write those words in the bar of the Emerson Hotel, it seems like she’s writing them for Cole.

We know what follows, though, at least, in the version that James recites to us in the series premiere:
Where are you right now?
Somewhere warm, safe? Next to someone you love?
Now, what if all that was gone? And the only thing you could do was survive?
You would, right? You’d try.
You’d do things, horrible things… until you lose that last thing you have left…yourself.
But what if you could take it back… All of it?
A reset switch.
You’d hit it, right?
You’d have to.
If Cassie does indeed continue to write this message, who could it be for? It almost seems to be leading up to apology for hitting reset, doesn’t it? So, written to someone who might get deleted or overwritten as a result of a reset. Yes, that could be Cole, but Cole is all too familiar with this conundrum from actual experience. He doesn’t need it spelled out for him.

It seems to me like a message Cass or Cole might leave for their child. Maybe it’s a note that’s left with Agent Gale when he takes in their daughter…?

Or maybe a note for posterity, to explain their mission. I suppose it would only ever be read if they failed, tho, eh?

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
“YOUR LUCKY NUMBERS ARE 10, 42, 75, AND 3″
We need for Young Jennifer to come across some artifact of Old Jennifer’s, some in-case-of-emergency-break case, w/a combination lock or password, so that these numbers will open it and reveal to her just the item or words she needs to see/hear (a dose of red leaf tea?) to step up properly to Motherhood.

It’s too bad Cole wasn’t present for the recitation of the lucky numbers, because then he could flex his photographic memory later and reveal something Jennifer left for him.

If Old Jennifer *was* in cahootz w/the Witness, or rather, playing at it, maybe she contributed these numbers as an override code for Titan. I mean, if you want the right numbers, who better to ask than a Primary (and 12 isn’t one of the numbers =).

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Well, that’s all I’ve got… All I’ve got time for, that is. =)

If I can find more insomniac hours before the finale tomorrow, maybe I’ll hunker down and assemble one final pre-finale dropping. Lucky you!

LOVE this freaking show!

Unmake history!

Keep on keepin’ on~

Friday, July 15, 2016

12 MONKEYS: 02x12: Blood Washed Away: 1957 to 1959…

Okay. There’s just too much going on in my head to cover in one post. I’ve had a dozen or so false starts on posts since 02x11 “Resurrection.” I have a problem pulling back to talk about big picture stuff and keep getting sucked into probably-incredibly-unlikely what-if detaily bits.

Bleah.

So, what this is gonna be—what this is—is me walking thru the events we witness occurring from 1957 to 1959 in “Blood Washed Away.” I’m not touching the events that we saw unfold at 2044 Titan at all. Then I’ll explain what I think they might mean. I’ll admit, I’m going out on an ethereal limb here, but I find some stuff out there that I like, and even though it may not be suitable for prime time, I’m gonna take a look at it.

Do feel free to skip the two years of play-by-play and zip on down to “THE THING IS…” to get down to the nitty-gritty crazy. =)



1957 to 1959, APPARENTLY.

C+C spend 11 months in 1957 trying to identify the Primary as an employee at the Maxwell-Rigfield Manufacturing factory to no avail. Of course, it turns out that the Primary, Melinda, is the wife of Charlie, an employee and friend of Cole's. Charlie, whose life began in 2015, sent back in time from 2043 with a Messenger partner to kill Melinda.

Come November 7, 1957, Charlie is married to Melinda, who is suffering from cancer (and its chemotherapy, according to Charlie). His Messenger partner? Dead, circumstances unknown (I suspect that he's the nimrod who "fell" from the factory rooftop some time ago, tho). That mishap is part of some excellent choreography on the part of Charlie Messenger, as it removes the threat of his partner and sets the stage for the introduction of Reginald “Red Herring” Dupuy.

Melinda's paradoxidation is a bit perplexing to me. Emotionally, I get it. But Charlie-philosophically, it seems a bit muddy (after two viewings, maybe number three will clear it up).

She walks into the factory with the instrument of her own paradox—the bone dagger from the future. As a Primary, she has seen what happens to her, where, when, and how she is paradoxed. It happens at the factory and Charlie is the one who does it. In his words, Charlie is resistant…
CASS: You're one of the twelve. You're a Messenger.
CHARLIE: I was, but I won't be. Not to her. I can't hurt her.
CASS: She's Primary. If you paradox her, you'll destroy everyone—everything. Where's the other Messenger?
CHARLIE: He's dead. I'm not like them. Not everything the Witness said was true. Because when I saw you. I just…I couldn't do it.




In his deeds, however… Well, he accepts the box from Melinda, opens it, and takes the dagger in his hand. He is ready to use it. Melinda has a gun. Cassandra brought a gun. Cole brings a gun. If it's about ending Melinda's suffering, a bullet would do the trick, possibly near-instantly. However, Charlie chooses the dagger.
MELINDA: Do this…and we can live forever in the Red Forest like you said…
COLE: Charlie!
CHARLIE: I'm sorry, Cole. But you of all people should understand this.
Damn, that could mean so many things. Charlie doesn't just know Cole. As a Messenger, he knows ABOUT Cole. All of the gosh-shucks advice he gives him, he gives him knowing his actual Time Jesus-y circumstances.
CHARLIE: It's just so cruel. So when I say what I say, you know I know. Because when it comes down to it, the only thing you'll be wishing for is more time. Trust me.
And just a minute or two earlier…
CHARLIE: See? You do care. And whatever is stopping you two, it isn't worth it. This whole world could eat shit and die, It wouldn't matter if you were together.
An interesting echo of some of Jennifer's rambling on C+C in 2016…
JENNIFER: You know, like a kiss. You just have to close your eyes and let the world die. You can be with him.
So, Charlie seems to deny the Witness when he says not everything big W says is true. But in the end, he goes along with his mission, and Melinda's wish/Primary vision, and paradoxes the woman he loves, against his own word—he won't be a Messenger to her, he can't hurt her.

Of course, my take is that the Witness knew and planned on/for everything that happens as we saw it (see the aside above).



Charlie stabs Melinda. Cole gets a shot off, maybe hits Charlie, since his stab follow-thru has him facing Melinda, his back to Cole. The pink and gooey paradox effect seems to catch Cassie, but not Cole. Cole's paradox speed seems to kick in and he pulls her to the shelter of some machinery. We see the paradox effect blow out the windows of the factory from outside as flames from exploding tanks of something or other shoot out of them.

Nineteen days later we learn that Cassie is in a coma and no one else survived the explosion (none are as lucky as she is). Well, no one but Cole, who apparently was able to make himself scarce soon after. He visits her, surreptitiously, and explains to her that he is sorry that he failed, and that the best thing for her when she wakes up is to forget about him. And he leaves…

We then see that Cassie is reliving her trance sessions with Olivia, hearing her voice guiding her to the House of Cedar and Pine in the Red Forest.

Six months pass in a lighting and/or filter change (two seasons later, not a huge mystery, right?) and Cassandra wakes from her coma. That drops us into May 26, 1958.

No comment from the medical staff about Cassie's blood or any funky effects of the Quantum Serum. Maybe they don't have the technology to recognize that there's anything unusual? Fifteen years earlier, a physical didn't reveal anything unusual about Ramse's health (aside from the advanced localized osteoporosis). In any case, she must've been in a REALLY bad way if it takes her serum-enhanced physiology six months to heal her.

Another six months (November 26, 1958—Thanksgiving and Christmas soon) finds Cassandra working as a nurse for Dr. Ed, diagnosing Lyme disease years before it's officially recognized. I wonder if the boy she saves grows up to be someone important.

A few months later and it's 1959, and we learn that Cassie spends some of her downtime writing in the Emerson Hotel bar.
CASS: Where are you right now? Some place warm? Safe? Next to someone you love?
This must be the origin/creation of those words, familiar to us as voiceover we've heard in several episodes, first in Cole's voice, then in Cassandra's. This moment, their creation, as ink on paper, is interrupted when Cass turns to look at the man who's just ordered a whiskey sour. Alas, not James. We don't see if she continues writing, and which words follow, but it immediately makes me wonder under what circumstances does James ultimately read/recite them. After her death? Her disappearance? The words found in her belongings? Or planted in his pocket for him to find after some final mission or last stand.

Next, we see a bellhop pass along a message revealing that Cassie's been searching for Cole, at the speed of 1959. A search for Morris Morrison, the alias given to James by Jennifer Goines in 2016 (Jennifer enables Cassie to find him!), has turned up an address…
MORRIS MORRISON
10 OLD PINES RD.
BINGHAMTON, NY


Cassandra drives there and ends up parking in front of the House of Cedar and Pine, in reality, not the Red Forest. She approaches the house and finds James playing handyman beside it. He's just cut his thumb while sawing some wood for some home improvement project.
COLE: What are you doing here?
CASS: What are *you* doing *here*?
COLE: The house? It's mine. I bought it.
CASS: Why this house?
COLE: I was driving by, saw the "for sale" sign. Needs a lot of work. The hospital… They weren't sure if you were ever gonna wake up. But I knew you would.
And they exchange pointed words about hurting each other, and when Cassie feels she's gotten the last word in about James leaving her out of fear, she turns to leave… And it begins to rain. The red tea deja vu familiarity of the rain stops her, and she turns back to him and notices that he's bleeding. The healer in her kicks in and she offers to help clean it up. While doing that…
CASS: Easy…We have to wash it first. It's not as bad as it looked. Just bled a lot.
OLIVIA & CASS: Most of the blood has washed away…


The exact words from Olivia's red tea trance guidance. The rest of the words come back to Cass as she wanders into the next room and recognizes it as the room in which she was trapped while possessed.



She understands that Olivia, the Army, the Witness, they KNEW that this moment happens, exactly as it does.
CASS: Like a memory of tomorrow… They knew this place. This moment. You.
COLE: What are you talking about?
It's aggravating how she still doesn't spill everything. The most she's ever told anyone about her experience while red tea'd or possessed seems to be what she shared with Ramse, about being in the Witness's head while he was in hers and seeing Titan. No details about the environment of the Red Forest or the house. Boo…

If you're Cassandra, what are you thinking and wondering at this point? Does it dawn on you that Cole may be the Witness? Perhaps YOU are? Even if it crosses your mind, tho, no time for that! Gotta talk Cole out of giving up on saving the world again. Nope, he’s not hearing it. So, time to leave (again). Oh, but wait, Cole's saying ridiculous stuff about doing everything for me. Gotta straighten him out. Okay, I've said my peace. Huh. He just said that I don't have him. I’ve “succeeded” and there's nothing between us. Is that true? He looks pretty damn good, even in this creepy house. I better kiss him just to make sure there's nothing, and kiss him hard.

Yeah, that's probably not how her thinking goes, but you've gotta wonder, right? There do seem to be a couple of moments when she was ready to storm off/out, but she kept getting pulled back in by something, either some Red Forest deja vu or more bittersweet nothings with Cole. In the end, she kisses James and she's thankful she packed her 2015 underwear when she followed him to 1957.



When they started going at it, I thought of that wonderful Buffy-Spike homewrecking coupling. It’s a slight stretch, but I had a flash that these two serumed-up Project Splinter super-soldiers might very well replicate that scene here, and destroying the house could save them from a Red Forest fate, right? Alas, they exhibited no super-strength, and the house stands, intact and ready to be beamed to or re-created in the Red Forest. However, the episode did provide us with some intercut mayhem and some tres grandes morts to go with C+C's petite one. A pretty excellent bit of manipulation in its mix of despair and, umm, consummation. But also an aggravating bit of storytelling in its possible connection-by-juxtaposition of the two events. Sex and death—rock on!

The show's writers are a pack of wonderful bastards, aren't they?



THE THING IS…

Cole and Cassie fail to stop the Time-killing paradox of Melinda Primary by husband Charlie X. Messenger in November, 1957. However, the effects that we see do not seem to correspond to either Katarina's or Tall Man's expectations.
KATARINA: But we've picked up an enormous amount of temporal fallout between 1956 and 1958. The highest readings coincide with a single event… An explosion at a factory in New York on November 7, 1957. Hundreds of people were killed. The temporal signature indicates a massive paradox.
TALL MAN: A paradox so powerful, it destroys the fabric of time... At least locally... Enough to maintain erosion forever. The birth of the Red Forest.
This apparent inconsistency has me thinking that C+C's experiences from 1957 thru 1959 unfold in a bubble/pocket universe—a shared reality that exists for the two of them. One in which the paradox resulted in a fire at the factory which killed everyone except the two of them, but not in the fracturing of Time. In reality, however, the paradox decimated the factory and much of the surrounding area.



I've theorized that a massive paradox caused by the physical confrontation of the mature Witness with his younger self creates the Red Forest. That the effect of the paradox of contact of a living time traveler (possibly Primary) with himself would result in blasting a chunk of the world out of reality and into the limbo of the red tea zone. This chunk would include the region that becomes the Red Forest and the house on its edge and also result in trapping the younger Witness within it. The older Witness might survive, resolved by the cosmos back into reality, and broken out of his loop, or, he may simply be disintegrated.

So, when I heard both Katarina's and Tall Man's descriptions of the 1957 event, I really hoped this is what we'd see.

Alas, not exactly. Not quite. But "not quite" could still be pretty frickin cool.

I want to reach a bit now and say that the paradox-affected region covers at least as far as Binghamton and the Emerson, with C+C as the only survivors, serumed individuals caught nearly at the center of the event. But they don't survive in reality. The paradox has bumped them *out* of reality, into the red tea zone, the realm outside of time and the limbo into which the cosmos shunts paradox remainders. A release valve for temporal pressure and inconsistencies. This is the realm in which the Witness "lived/lives" until he departs for Titan. The realm those who partake of the red leaf visit via astral projection.

We are seeing C+C living out their lives on an astral plane, a mental "Matrix" of a virtual reality. Why does it look and feel the way it does? Well, I'm not certain if the environment and its population of NPCs are…
  1. Duplicates, based on reality at the time of the paradox…
  2. Constructed by the Witness, designed to his liking…
  3. The product of C+C's own unconscious/subconscious thoughts and expectations.
So, the house that Cole chooses to buy might have been real, at 10 Old Pines Road in Binghamton, New York, and been consumed or "read" by the paradox front and transported to or replicated in the red tea zone. Or the Witness used his mind to shape the mental clay of the red tea zone to produce it, knowing that it would appeal to Cole from the outside and trigger Cass's programmed deja vu on the inside. Or Cassandra subconsciously shapes the red tea zone to create the house, based on her memories of the house as suggested by Olivia from the outside and visited when possessed.

I pondered the possibility that the bubble might be filled with and inhabited by everything and everyone caught in the radius of the paradox event, but given how much geography is covered—from Binghamton to Manhattan to wherever the Maxwell-Rigfield factory was—and that 1957-1959 includes technology that connects any place to the rest of the world, I'm not going to follow up on what that could mean in this post. But I'd love the logic of it. Alas, I think that those non-serumed individuals caught in the paradox died, perhaps experiencing the chaotic aging effects of the anomalies seen in 2044.

So what is the meaning or purpose of this bubble universe?

It's kind of what Desmond thought the Sideways universe was in LOST. It's like the Fortress of Solitude in SUPERMAN II (did anyone else get that vibe?). It's like the Mars in ANGRY RED PLANET and that one Martian Chronicle. It's like the virtual reality of the Library Planet. It's SOLARIS. It's Mabel's Prison Bubble from Weirdmageddon. It's the Nexus from STAR TREK: GENERATIONS. It's a honeypot world. A trap which gives you your heart's desire/s. A trap meant to keep Cassandra and/or Cole from pursuing the mission and meddling any further in the Witness's grand design.

What will it take to free them?



CRAZY TALK…

C+C begin to build a home together. They make plans that don't involve weapons and ammo checks or Splinter coordinates. They have lots of sex, and one of those sexytimes results in a pregnancy. Or rather, it will. We may not actually find out that Cassie's pregnant. Maybe we do, but maybe not. What we do find out, what we and Cole get, is a visit. A visit from their fully grown and mature daughter—possibly granddaughter?—named Lillian (Madeleine Stowe’s character). I want to say granddaughter, because if C+C have a daughter, how do they NOT name her Katarina or Jennifer, right? Hrm… But I suppose she could be their second daughter… Okay, I’ll allow it. Daughter Lillian appears to Cole one day, relatively soon after we last see him in "Blood Washed Away.""

Is she real? If C+C have children in the bubble universe, in the red tea zone, are they real? I'm going to say real enough and you're going to pretend that that's an answer.

When Lillian reaches puberty, she begins to experience visions, she becomes one of Time's neurons, a Primary. As a Primary within this bubble, she becomes aware of the experiences of other Primaries within the bubble and perhaps without. She knows about her grandparents and their time traveling history. She sees the screaming monkey. She sees the Witness.



In the future-meantime of the bubble, a scientist named Elliot Jones develops time travel into the future. His early tests of the technology result in the transformation of English Ivy into red leafed ivy. Lillian seeks it out and experiments with it, learns to navigate the red tea zone outside the bubble. From C+C's bubble future, she travels to C+C's bubble present, where and when she will explain to her not-yet-but-always-father the true state of their existence and experience. They are in a trap. They must break out. Yes, it will mean Lillian's death or deletion, but as a Primary, her duty is to the preservation of Time and Reality. Sadly, it seems many Primaries are wired to be satisfied with, even dedicated to, their envisioned, apparently predestined, fates. Also, hopefully, as a Primary, she has seen that she will succeed in freeing them, in freeing their minds.

I think that once she shows them a flaw in the logic or environment of their bubble world, it will begin to fall apart. Perhaps it will require that both C+C see it and acknowledge it, and that will be an issue (I'm looking at you, Cole). But in the end, they break out. Maybe they take advantage of some Neo-like abilities in the red tea zone and conjure up some advantages to take with them once the bubble bursts. I can see the burst being a transformation of their world, with the House of Cedar and Pine as ground zero, into the Red Forest.



That would be lovely.

But how do they get back to reality? Well, with the bubble gone, they are loose in the freshly minted Red Forest, the hottest property in the limbo of the red tea zone. If time flows at all in the zone, it's going to be wonky. Maybe Lillian will have given them instructions/Primary wisdom to follow, but maybe once the Red Forest is revealed, Cassandra will have a sense of what they need to do and where they need to go—Titan.

Remember, Cassandra saw Titan town through the window of the Witness's house. It appeared in the red tea zone without any fanfare, Red Forest-adjacent, and picked up the Witness. If C+C can catch the flow of time just right, or perhaps just camp out in the right spot and wait until Brigadoon Titan appears again/for the first time, they can hitch a ride back to reality, 2044, Colorado, by walking from the house right into Titan town.

If they beam into reality with Titan town at the right time, they may be able to prevent the deaths of their friends.

I can see Lillian and Cole engaged in a conversation similar to Yoda and Luke's in EMPIRE before he leaves to save his friends in the city in the clouds. =)



CRAZY TALK 2…

Adding a little wrinkle… In this scenario, Lillian is not C+C's daughter. She lives in reality, rooted in the/our present, 2016. She is a Primary and is aware of C+C's honeypot captivity, the Witness's manipulations, and the bleeding of Time. The skies above her are turning red. She has gained access to red leaf, perhaps thanks to Elliot Jones, maybe even Tall Man, and navigates the red tea zone to contact C+C in their bubble world. And everything after they meet plays out as it does in the first scenario.

Maybe Lillian is a best friend of Cole's mother. If Marion's best friend was a decently functioning Primary, it would explain how she was clued into the threat of the Army to her son James, right? And she'd be able to share something more than just destruction-of-Time intel with him, perhaps something that gets him to see beyond Cassie and the idyllic world of the bubble.

I'd like that.

WHAT NEXT?

Of course, none of the above covers any of the action in 2044. Says anything about Cole (or Cassie) not being the Witness. Includes none of my rambling on several zany Witness theories…

I’m my own worst enemy. So much so that I’d probably Katar an alternate self in the back in front of the Witness mainstage in Titan town.

Or something… =)

Unmake history!

Keep on keepin' on~