Showing posts with label TV series. Show all posts
Showing posts with label TV series. Show all posts

Saturday, April 07, 2018

ATLANTA: "Teddy Perkins": What the faduck?

I'm gonna outline how I think the mechanics of this amazing slice of gothic horror worked. A (hopefully) straightforward-ish explanation of what people did when and why. If you haven't watched the episode yet, stop reading now, for beyond this paragraph, there be spoilers!~



My take is based on two big asks, the true identities and relationship between "Teddy" and "Benny."

1. The man who introduces himself as Theodore "Teddy" Perkins is actually Benny Hope. There has never been a "Teddy" apart from this alias of Benny's. Darius is basically correct that Benny created the "Teddy" persona to cover up/deny what he did to himself—and what happened to him—as Benny. Sometimes, Benny himself forgets that he's Benny, turning his cover into a genuine delusion.

2. "Benny," the man in the wheelchair who shows up at the end of the episode, is actually Benny's father. I like to think that he's actually Benny, Sr. and "Teddy" is Benny, Jr., which helps explain why "Teddy" without hesitation says, "Benny! You're alive!" when he rolls out of the elevator.
Of course, it could simply be the delusion.


What happened…

1. "Teddy" kills "Benny" a short time before Darius arrives. Benny stabs his father in the gut while he's in his wheelchair in the upstairs piano room. Darius's arrival apparently interrupts his clean-up of the scene. 
2. When "Teddy" explains to Darius that he doesn't have a butler, he plays back his reminders. "Wash your hands…immediately," is a reminder to clean his father's blood from them. 
3. When "Teddy" goes wandering off after that, Darius can't stand to remain in the room with the crack'd Owl's Casket. So he goes wandering as well. We then see that "Teddy" has the mansion wired for video, and can see and track a visitor's movements throughout his home. 
4. Eventually Darius follows the sound of piano music upstairs to the piano room. "Teddy" keeps him from entering, but Darius can see a wheelchair set in front of the upright with colored keys. This clicks for Darius as matching the progression of photos in the hallway, which show Benny as he ages, the last one depicting him in a wheelchair and covered up against the sunlight.
Why was "Teddy" playing the piano when he should be focused on covering up his father's murder? Probably cuz he's bonkers. He doesn't record reminders for himself for nothing. =) 
5. "Teddy" shoos Darius away from the piano room, explaining that he'll see him downstairs with his glass of water, promising a mix of brands. This gives "Teddy" time to finish cleaning up the Piano room. 
5.a. This might be when "Teddy" moves his car. See also 7.a. 
6. After meeting up again in the gift shop, "Teddy" leads Darius to what will be his prized exhibit, a room dedicated to "Great Fathers." Featured center stage is a manakin or tailor's dummy dressed in a suit whom he calls his own father. This is when "Teddy" explains how his dad set he and his brother on a regimen at an early age to become not just good at piano, but good at life. 
6.a. I think that in "Teddy's" completed version of this exhibit, that manakin would be upholstered with his father's skin, or perhaps completely taxidermically replaced. =) 

 7. When Darius suggests they finally cut to the chase and close the colored keys deal, They return to the upstairs piano room. The wheelchair we saw earlier is gone. After "Teddy" leaves to turn on the elevator, Darius notices a drop of blood on one of the keys. "Teddy" missed a spot when cleaning up. 
7.a. This might be when "Teddy" moves his car. See also 5.a. 
8. Darius loads the piano onto the elevator and presses the button for the first floor. However, he ends up in the basement—"Fine, destiny." There he encounters "Benny" who is actually "Teddy," dressed exactly as we last saw him, but with the addition of a black hat, wrap, gloves, and a blue face mask/bandage that covers everything but his eyes and mouth. Darius sees through this charade, but plays along because, bonkers, remember? Without speaking, "Benny" communicates to Darius that Teddy will kill them both and that he needs Darius to get him a gun from the attic to protect himself. Darius plays along and tells "Benny" that once he moves his piano into his car, he'll be back with his gun. 
9. Darius rolls the piano out the front door only to find that his U-Haul has been blocked in by the Hopemobile. He goes back into the mansion to find "Teddy." He finds him reviewing some home movies of one of Benny's piano session with his abusive drill sergeant of a father. Darius explains that he's been blocked in. "Teddy" says that he'll move the car. I think at this point, "Teddy" might be fine letting Darius leave with the piano. However, Darius then asks to use the bathroom, which to "Teddy" sounds like an excuse to move around the house. "Teddy" was the one who chalked to Darius in the basement that a gun was in the attic, so he assumes that that is where Darius is heading. Now Darius is a potential evildoer-slash-enemy, whether he believes it was "Teddy" or Benny he spoke to in the wheelchair.
You can see the flick of the switch in "Teddy's" face when Darius asks about the bathroom. 
10. "Teddy" has Darius cuff himself to a chair in the foyer. This allows him to put down the gun and have some last words with Darius. His plan seems to be to kill Darius and stage things to frame him as a home invader who killed "Benny," his father. 
11. Darius may be the best possible person to stop this gothic clockwork. But even his grace is not enough. Just as "Teddy" denies Darius's beautiful notion of Stevie Wonder's seeing through music, the elevator arrives, revealing the real "Benny."
Donald Glover's "Teddy's" look of shock through the mask of his face is amazing.
"Benny" picks up the shotgun and kills "Teddy."
We know this is the real "Benny" and that he's been attacked by "Teddy" because although he does seem to be wearing exactly what "Teddy" was wearing when he appeared to Darius in the basement, his white shirt is soaked with blood over his belly and otherwise blood-spattered, too. 
12. "Benny" motions to the still handcuffed Darius to give him the fireplace poker. In shock and perhaps gratitude, Darius complies, too late realizing that "Benny" needs it to push the trigger with the gun pointed at himself.
I *think* that explanation of events works out pretty well. We only ever see photos and film of *one* child, and that is Benny Hope. There is no Theodore Perkins. "Teddy's" story of how his father trained Benny for greatness is supported by the home movie clip we get to see. It's not hard to imagine that at some point, Benny, perhaps already a caregiver for his father, snapped, and began returning abuse on the man, physically turning his father into a copy of himself, and ultimately killed him…

…planning to turn him into a prized museum exhibit. =)

Also, I don't think that "Teddy" was planning to frame and kill Darius the whole time. That exchange they have in the screening room felt to me like a (bonkers) test, and when Darius asks about the bathroom, he fails it.

Question: Did anyone catch what message board Darius learned about the piano on? Sounds something like "Buy-something-King," but not tight/short enough to be "biking."

However, The Girl came up with an even more satisfying take. After watching with her—her first, my third viewing—she suggested that I might have the "Teddy" and "Benny" thing reversed. So, "Teddy" is the father, and "Benny" is actually Benny Hope. I *really* like this idea. That makes the father's name Teddy, and he's the one who's speaking to Darius throughout the story. Benny is Teddy's son, and he's the one in the wheelchair who shows up at the end. If you watch again, keep this possibility in mind when "Teddy" speaks about his father and reacts to Darius's comments about abuse and sacrifice. Also at the pride implied in the conversion of the home into a museum.

This also adds even more chill to "Teddy's" hope early on that at the end of "Benny's" suffering they might get a masterpiece.

The Girl also explained to me that the Jacksons' parents had cosmetic surgery to match the surgically altered noses of their children. I'd never heard this before. This hints to me at a backstory of father Teddy seeing Benny altering himself, perhaps to the point of illness, and doing the same to himself, so that they would appear very alike to anyone who didn't know really know them.


I kind of wish that the episode had ended with "Benny" unlocking Darius's cuffs before killing himself. Then Darius could hightail it out of there on his own, before the cops or anyone else shows up, and the entire episode could be framed as a kind of haunting, an interaction with ghosts, a projection of a dark "what if?" from Darius's own life. Crazy talk, I know.

Alas, not to be. It all (sur)really happened. And, man, I really hope later episodes refer back to this one somehow. Maybe musically? Perhaps they've already played music by "Benny Hope" in season 2 episodes and we just didn't know.

I *really* hope that Darius doesn't count the outcome of his f'd up day out as one of his two life regrets. He did everything he could to get that piano, as well as curb "Teddy's" madness. Part of me does hope that we get to meet his agent of regret-death, tho.

Darius should be able to get that piano out of impound. After all, he signed the papers, right? And he sure as faduck deserves it.

Keep on keepin' on~

Friday, March 11, 2016

THE EXPANSE: Amos Burton's "Rocinante" on a T-shirt

Now available via TeePublic!
A while back, I went looking for a tee featuring Amos's bombshell pin-up art of the Rocinante (he space-paints it on the ship in episode 6 of the series). The closest hits I could find were evidence of EXPANSE crew hoodies on instagram and the twitters. Apparently there were no official/licensed options available. I wanted to give such a shirt to a friend (and fan of THE EXPANSE) as a present, so, I did a somewhat clunky and chunky render of the artwork. It's now posted at TeePublic, available for acquisition by Earthers, Belters, and Martians (sorry, nothing available in Protomolecule…yet). It's *discounted* this weekend (for basic tee, $14, reduced from reg $20)—now thru Sunday night—so grab one now if you dig it!


Flip and burn!
aka
Keep on keepin' on~

Sunday, February 15, 2015

12 MONKEYS : 01x05 : The Night Room

I do like a time travel story, and *love* one that plays with the possibilities in clever *and* consistent ways, so of course I am loving 12 MONKEYS on SyFy. The show is taking the source material/jumping-off point of the film and LA JETEE and going to some very dark and fun places. Gotta say, tho, after this latest episode ("The Night Room"), I might actually be a little annoyed at all the great possibilities. =)

Spoilery spoiling spoilers follow!


Some thoughts that occurred to me In the course of "The Night Room"…
  1. The precursor is the body of a modern-day victim of a legit ancient virus (which is what Tall Man seems to claim). Something that was sequestered from the rest of the world in an antarctic ice or some undersea cavern or maybe a bubble of air preserved in hardened volcanic ash or lava, uncovered by a scientist or explorer?
  2. The precursor is the time-travel-shredded body of one of Katrina pre-Cole Splinter subjects, presumably immune to the virus, but perhaps still a carrier? Although it seems there's no concern for Cole being a carrier, right? Do they de-con Cole before he Splinters? Or maybe the virus is actually no longer around, having killed all of its potential hosts? Or maybe the virus don't survive a Splinter event? Maybe that wasn't true of earlier Splinter attempts, though. Okay, there are detaily problems w this, but I kind of like it for the horror paradox of it.
  3. The precursor is Cole's body, which would mean that the Night Room is his final resting place. Remember Jennifer's obsession with Cole's "otter eyes?" We also get to hear Jennifer comment on how she hates the way the precursor looks at her. I like the idea that she's talking about the same eyes, as horrible as the implications of that may be. When the precursor was wheeled out of the vault, Cole seemed to have a physical reaction to it. Again, it could have been a pre-Splinter snapback wave of discomfort, but hey—maybe not. Maybe it was the pain felt when someone encounters himself while time traveling, specifically, his deceased and chemically preserved self.
  4. The Witness is one of Katrina's pre-Cole Splinter subjects. Someone who survived the process but never returned. Perhaps someone who was driven insane by the experience. The Witness knows the history of the future and for whatever reason is determined to ensure it unfolds as he remembers.
  5. The Witness is a future Cole, driven somewhat mad (madder?) by repeated failures to change the future. It could be that the Witness might yet become the precursor (#3) as well. Another horror-ible possibility. In any case, I'm 90% certain the Witness is a Splintered individual, and maybe 5% certain that it's someone that Cole meets in the past—his personal future, a 1987 Splinter has yet to happen, remember?—to whom he gives, or is forced to give, intel about the apocalyptic future.
Some thoughts that occurred to me at/on the ending of "The Night Room"…
  1. Cole has Splinter-returned significantly later (weeks/months) than when he Splinter-departed. Pretty straightforward, if a bit aggravating. The core's power has dropped below Splinter initialization levels (but apparently, not return levels), which might have made the installation more vulnerable to another attack by West 7. Maybe this will be good for another more action-packed episode, but I really hope we and Cole haven't lost something like a year.

    Will Katrina tell him it was the booze?
  2. Cole, Cassie, and Jennifer's burning of the precursor in the past actually changed the future, but only relatively slightly. Cole felt *something* after stepping out of the vault, right? Sure, it could easily be the weirdness he feels that precedes a Splinter snapback, but maybe it was a kink in a rewriting of his personal history. This would be *extremely* important, because it's actual 12 MONKEYS universe proof that the future can be changed. The previous episode involved some wonderful time hopping strategy, but did not necessarily change any events, right? It's that experiences of pre-short-Splinter Cole and post-short-Splinter Cole dovetailed (and very nicely! =).
I thought that Katrina (and maybe all of the Splinter group's staff) went by false or altered names in order to prevent Cole from accidentally, or intentionally, messing with their younger selves or pre-histories in any way. Was a little surprised to hear Katrina give up her maiden name and some personal info during the end-of-the-timeline drinks do. But she's no dummy. It makes me think that Cole is meant to seek her young self out on one of his Splinters, perhaps to give or leave her a clue that helps her in some mundane way, or maybe to survive the fall of civilization, and end up where she needs to be for the Splinter project.

Another thought… Jennifer met a future Cole in her childhood, maybe infancy. He protects her from something, befriends/charms her while doing it, and she holds a memory of his "otter eyes" from their interaction, but is not old enough to retain his face or name.

I was a bit surprised at how "well" Cassie took the news of Henri's death by Cole's hand. I get that she's got more than a tough skin when it comes to matters of life and death thanks to her CDC field experience, but still, a surprising lack of outrage. She says she can never be what Cole is, but maybe she had to be at one point? Or almost did, and couldn't make the call? Perhaps that will be in a story we have yet to see.

I'm waiting for a Splinter that sends Cole to a time between Splinters we've already experienced, where a future Cole tips a past Cassie off to something that a past Cole experiences or does. This, of course, would come with instructions for Cassie to not reveal anything of that jump to past Coles until after a certain date. Who knows? Maybe future Cole tells Haiti Cassie to get Henri to wear a bullet-proof vest? Or exactly where to be in order to save Henri after he's been shot and Henri-shooting Cole leaves?

Yeah, crazy talk. I do love having fun with time travel. =)

Make history.

Keep on keepin on~

Thursday, October 09, 2014

THE FLASH: I'm in!

Some rambling on the pilot of the new FLASH tv show. Beware of show and comic book continuity (pre-new-52) spoilers!


First off, I discovered the Flash kind of late in my comic book reading career. Most of the Flash books I collected as they were published were of Wally West, the once Kid Flash. I think the only "live" Barry Allen books I picked up were right in time to see him do his thing in CRISIS, which, of course, was amazing. I love/hate that I can be suckered into caring about a character that way. =)

I learned about the Flash's exploits in mostly flashbacks and through the eyes and shared history of other characters. His Rogue's Gallery was such a brilliant concept to me. A bunch of villains and this speedster hero who have that Ralph Wolf-Sam Sheepdog relationship with each other. It's not a league or legion or society, it's a club, and sure, they're criminals, bad guys, but, I dunno, they've got a code, right? At least, y'know, until the recent modern Villains United or whatever era.

Anyhow, with the CRISIS events as my intro, I've always had a special place in my fanboy heart for Barry Allen. Even more than Superman, I think of him as a Good Guy. Maybe it's because he starts out as a regular old Earthican, human, and a decent one. He's a scientist. He has a true love. He works for the police. And the perfect little character creating creative capper—he's always late. Heh.

So, I've basically been in this show's corner since I saw young Barry introduced in ARROW last year, and thought it was done quite well. He gets to tell the Arrow to wear a mask. Pairing these two together in the evolving DC TV universe is a pretty great idea. It's a Batman-Superman dynamic but without the weight-slash-baggage of those franchises, y'know?

Allright, enough pre-amble… Heh. Amble. Flash. No? Just me, then. Okay gonna go thru some remarks and reactions that hit me while watching the show…

Henry Allen (Barry's dad) is played by the "original" Flash! That is, from the 80s(90s?) TV show that I actually loved (altho, to be honest, I can't remember a single storyline or villain from it). John Wesley Shipp. I was actually really pleased just to see him back on television as Dawson's dad on the CREEK, so you can imagine how much more excited I was to see him back in the Flash's world. Love a good (and watchable) callback! =)

I *loved* the visual design of the earlier FLASH series. I felt like it was an attempt to plant the Flash in a Central City that Tim Burton's Bruce Wayne could visit, y'know? Dark, visually comic book stylized, but a different kind of urban. What IS Central City supposed to be? ARROW's Star City is Boston. Central could be… Frack, I really don't know—Hartford? Bleah. I forget, do the cities share a bridge in the comics? I'd love for DC, and maybe DC TV and DC film, if they're different, to give us maps of their universes' cities on the globe.

That storm of lightning surrounding Barry's mom. Yellow and red figures moving at super-speed and crackling with energy. Seems like we're looking at Zoom/Reverse Flash, maybe actually in combat with the Flash, both transported back in time to that moment from sometime in the future. Cool cool coolio.

Interrresting… They're going kinda "SHERLOCK" with Barry's CS-eyes. I wonder how that'll work at high speed. Would be interesting to see it at work in both Flash-perspective (everything slowed down) and bystander-perspective (everything a blur), if possible.

Iris: "Your sad little nerdy dream." Nice to push the nerd thing, in case watchers have trouble buying this actor as the nerdy type. He's not the cliche 98-pound weakling, he's the person who's really into the things he's into, and those things happen to include particle accelerators.

So Iris works at a coffee shop called Jitters. Heh.

Harrison Wells? Hrm… I don't match the name to a character in my memory, but I'm wondering if he's one of the sciencey types who works with Wally when they really try to break down the science of his abilities. If I remember correctly-ish, some of that study/research results in the (temporary? short-lived?) creation of some new speedsters.

Played by "Ed." Always liked him. So, he'll probably turn out to be Zoom. Or one *a* Zoom?

How far *is* Central City from Star(ling) City?

Hrm… Who's the white-haired guy Barry runs into? Will have to give this another viewing sometime.

Oh, HERE's our Zoom! Eddie Thawne, transfer from Keystone. How did no one actually refer to him as "Keystone Cop?" Or did I miss that? Perhaps he's not Zoom, but a Zoom ancestor?

Am I mixing up Zoom and Reverse-Flash from the comics? Frack. I need more RAM.

Callback to Wally West's FLASH—LINDA PARK reporting!

Barry's father Henry is a doctor. Mother's name is Nora. I'm assuming this is consistent w Barry's comic book incarnation. For a fan of the Flash, I'm pretty crap at remembering the details, eh?

Red and green lights on the Mardon brothers' escape plane seem conspicuously bright, no? Just some Flash/Arrow color motif. Mardon… Mardon… Which of the Rogue's Gallery is he? Were there brothers? Knocked out of the sky by a funky energy shockwave, eh? One or both of these guys is definitely gonna walk or fly or reflect his way back from the apparently dead as a super baddie.

I wonder how this version of the Flash's origin (lightning hit in the lab) differs from the one we saw in ARROW. I *loved* seeing that last year =)

Nice—a spark from his foot thru the sole of his shoe while on the gurney…

9 months later…? Interrresting… An incubation period of sorts. Reborn.

"Poker Face?" Really? Well, Lady Gaga *is* a nerdy girl…

Flash's Scoobies! Cisco Ramon and Caitlin Snow of STAR labs. I forget, how much screen time did they have in ARROW last season?

"Lightning gave me abs?" Heh. Nice. Cellular regeneration as part of his super speed metabolism. Interrresting… Looking forward to seeing him order everything on the menu at a diner to fuel all that. =)

GRODD! Wow! Hrm…

Anomaly. Who or what is the anomaly? Zoom? The Flash himself? Some blast of energy traveling back in time from the wake of a future Crisis?

Is that what we'll be calling the particle accelerator incident/malfunction/blast? The Anomaly?

Detective Joe West and daughter Iris.

Can't quite make it out, but is the Jitter logo the Flash's logo? I'm seeing red and gold.

Mardon—the Weather Wizard!

I thought it was clever when they did it in SMALLVILLE, but I'm not sure how I feel about it here in THE FLASH. Tying the hero's origin event to the origin of almost all of his villains. Yes, it works, and it's a smart, strategic storytelling and world-creating move, but, well, I hope we see some non-accelerator-babies sooner rather than later.

Actually, if we mix a little particle accelerator with some Vertigo from ARROW, we might get a legit Count Vertigo! That would be a good reason for a team-up.

Ick. In the 9 months that Barry's been out, has Iris started dating Thawne? Guess the incubation period was good for moving several plot threads along.

Detective Chyre… Shot and killed by the Mardons. On the night of the Anomaly. Hrm… Is Chyre from the comics? Maybe he comes back. Whose rogues gallery does Solomon Grundy belong to?

Hrm… Looks like Barry's got the original Barry's version of speed. Haven't seen him binge to refuel the way Wally did. Maybe he's processing some other energy? I wonder if the writers think that TV audiences can handle the Speed Force as a concept? Probably not necessary. Maybe they'll introduce a side effect to his power via conservation of energy. Every time he speeds, he draws energy from somewhere or somewhen else. I think that was a New52 plot, right? Could work, but would be a shame to limit his abilities like that. Maybe they can science-fix it, but replace it with binging. =)

"You're not a hero. You're just a young man who was struck by lightning."

The Arrow speechifies, and I am totally buying it. =)
I don't think that bolt of lightning struck you. I think it chose you.
You can be better. Because you can inspire people in a way that I never could… Watching over your city like a guardian angel, making a difference, saving people, in a flash…
Take your own advice. Wear a mask.
Brave and the Bold?

Interrresting… Flash is already unmasked before Detective West. AND he gets the guilt trip/order regarding keeping the secret from Iris to protect her. I missed any courtship ceremony between Barry and Iris in the comics, so this should be (appropriately painfully) fun. Will be cool to see what move or moment ends up casting Barry in a different, romantic light for Iris.

"You *did* see something the night your mom died… And you're dad *is* innocent."

I'm not sure that I follow Detective West's logic. I'd love for him to have had a previously inexplicable encounter with the weird in his past that helps him make the leap. Maybe something he saw during the investigation into Nora Allen's death? Or something in the nine months since the anomaly that connects? In either/any case, something he dismissed as impossible or a figment of his imagination.

Whoa… Time-traveling Flash phantasm, a la Crisis?

Speaking of… The future headlines that Harrison Wells reviews at the end of the episode…
April 25, 2024.
FLASH MISSING, VANISHES IN CRISIS! (Complete with what looks to me like a photo homage to the Flash cover of FINAL CRISIS =)
WAYNE TECH / QUEEN INC MERGER COMPLETE
RED SKIES VANISH
Yeah, I'm totally in. =)


Keep on keepin on~