Showing posts with label Word of the Witness. Show all posts
Showing posts with label Word of the Witness. Show all posts

Monday, July 11, 2016

12 MONKEYS: Who is the Witness?

I've come up with bits and pieces of a story-slash-theory to explain how several different characters might become the Witness when they grow up. I’ve dropped some of them in previous posts, but haven't been able to compose a decent "complete" story for any of them so far that fits all the data. The magically aggravating thing about the Witness's identity—given the events we've witnessed so far on the show (thru 02x11 "Resurrection"—turn back now if you haven't watched yet!), and the characters we've met: it really could be ANYone if you follow thru on the proper motivations and opportunities.

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I *want* for it to be Elliot Jones, but I can't find legit motivation in what we've seen of him so far. If he knew he had a daughter, if we saw that he truly loved Katarina (I certainly believe he has affection for her), if he was more than an apparently techno-hippie egomaniacal genius, well…

Hrm…

Maybe that's enough? =)

I *can* come up with opportunities, but the reasons are kind of thin, or require just a bit too much imaginative heavy lifting on my part. For instance, one of my Elliot "Witness" Jones riffs posits that David Eckland is a temporal anomalitical opportunity seized by the Witness to romance Katarina again in reality—"a wild, romantic gesture to a beautiful woman all in the name of love." Cuz, if you subtract their scientific specialties—and allowing for a data set of two—I think you'll find that Katarina has a type. The science hippie, in attitude (both Jones and Eckalnd), at least, if not philosophy (only Eckland ever declares such belief, while Jones is quite focused on making a mark more than anything else).

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I'd be okay with it being a grown up Samuel Ramse. But there's a lot of unaccounted for time in that. Easy enough to fill in with "indoctrination" of some kind, but I don't love that. A zany deus-ex (but then, what else would you call time travel, right?) that could go a long way to filling in the blanks—Samuel isn't blasted backward in time, but forward. To an era in which everything that he's experienced and learned about so far is history, and prelude to Something Good and/or Something Important. We've seen how Sam thinks the scales should tip with billions on one side and himself on the other. He demonstrates a particular moral and ethical clarity at a young age that could be the foundation for a Witness driven by the Greater Good.

The forward Splinter blast might work for Elliot-is-the-Witness, too, but I’m not certain that he’s got the moral balance to take on a post dedicated to the Greater Good.

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I'd also be okay with it being a reluctant, for-the-greater-good(-and-also-Cassie), Cole. But would rather it wasn't, unless this is an iteration in which a decision by our Cole can change that. I think and hope he's still in the process of becoming, and isn't ready to be a final version of himself just yet.

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I'd still love for the Tall Man to pull a Doctor Doom-y, Thanos-ian fast one on the Witness (only to discover it's always been him!). Some vulnerability, failsafe, or override, that he's had built into Titan. It's Tall Man's initiative to have the Army embrace technology in the first place. That sounds like just the kind of foundation on which to build a Witness. For him to take the place of the Witness, though, well, I don't know that I see a great motivation for it. What does he want? Power? Has he truly drunk the Word of the Witness Kool-Aid? Perhaps simply self-preservation. He does tell Olivia that he is off to secure their future, and describes Titan as insurance against the future, perhaps speaking for the Witness, but most certainly speaking for himself. Perhaps it's payback. A long game play that may have begun with Vivian Rutledge's resentment of the Witness after surviving her assassination of Tommy in 1944?

I'd *love* that.

But right now, if I had to pick someone for the Witness, if the men came, with their guns, I'd have to say…

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RAMSE IS THE WITNESS.

He's already demonstrated that he believes that the life of his son is worth more than that of billions killed by the virus. He follows that up by choosing revenge on the Witness (his son's killer) over the preservation of Time and reality.

Yeah, Ramse's got the will for the job. But does he have a reason?

With Ramse, while he acknowledges both, it seems the needs of the one—Sam (and himself)—outweigh those of the many—the majority of humanity killed by the plague. Remember, Ramse's the one who convinced Cole to become Katarina's Splinternaut way back when. If he hadn't learned about Sam, he would probably still be 100%—well, okay, 87%—behind Katarina and her mission/s.

WHY?

So, why would Ramse become Witness? Well, those two motivations are still valid.

1. To save/rescue his son. Using the Witness's resources, he learns that Sam wasn't disintegrated and killed, but successfully Splintered. And, well, if he's the Witness, we've already seen him save Sam, by engineering the Core overload that zaps him out of 2044 Project Splinter to the mystery forest and meeting him there, in person or via minion or Immersed proxy.

2. To save the rest of the world (of the future, not the past). In part to make up for killing so much of it, in part to create/leave a world in which his son can live and thrive. Remember, Sam himself chided his father for counting him as more important/worthy/valuable than billions of strangers. Could Sam sit idly by while his father proceeds to ensure that happens again, only from the POV of the Witness? Ramse would surely have to do something to TRY to redeem himself. Given that the past must happen the way it's happened (at least until the Core overload), building a better future seems like the logical way.

WHEN?

But when does he become the Witness? Titan Town, 2044 seems like the ideal opportunity. Ramse is following Jennifer's Yellow Brick Road, off to kill the Witness!~

In his vengeful rage, I can easily see him pulling the trigger on the big W before looking under the/a mask. In fact, maybe he NEVER gets a chance to unmask the Witness—shooting him off of some precipice into the void or something—but once he kills him, he takes his place, the way he always has, once and future leader of the Army of the 12 Monkeys and Mayor of Titan town, in command of abilities and technology that will allow him to find and save his son.

And that's how he is there to meet his son when the Splinter Core overload zaps him from 2044 to the—I'm gonna say—1950s.

Thing is, he knows about C+C's mission to that era. What does he expect to happen? That he will team up with them to prevent the paradox that creates the Red Forest? Or does he need for that paradox to happen to ensure that he and his son survive? Hrm… Too many possibilities in that to guess, but remember the writing on the wall—1957-1959 THIS WAS HOME. What could that mean if the writer, the Witness, is a future Ramse?

That he and Sam lived, happily I think, for that time. But how is that possible if a paradox occurs at the beginning of that duration? Could those two years have been lived in the Red Forest? Sam and Ramse have never visited the Red Forest, so they wouldn't recognize the house of cedar and pine. Settling there for some father and son bonding wouldn't seem obviously dangerous or conspicuous.

SPECULATION…

This may be where my story frays and falls apart details-wise (not that my story thus far is exactly a detailed script to begin with : P). I still want to believe in the Tall Man's description of what happens in Upstate NY, 1957. A paradox so massive that it results in permanent temporal erosion and the creation of the Red Forest. It fits so nicely with everything that's come before. From Katarina, we learn that ground zero of the paradox is a factory explosion in New York on November 7, 1957.

Do you suppose that date coincides with the disappearance of four soldiers from Raritan Valley National Labs? What is the nature of the device or artifact brought to the lab at that time?

My ongoing theory has had a massive paradox encounter happen in the house itself (caused by one of our heroes meeting and confronting himself). The wave of the paradox swallows the house and the immediate surroundings removing them from reality and transporting them to the red tea zone, to become the Red Forest as we've seen it. Now, it seems, a factory may be the epicenter, and the house part of its surroundings. Paradoxing the factory may be how the raw materials for Project Titan are acquired, construction to be completed in the limbo of the timeless red tea zone. when it's complete, the technology within will enable the factory town to return and re-enter reality, to appear to anyone standing near those coordinates in Colorado as if it was built in an instant. A technological Brigadoon. And where/when would the Witness choose for Titan to touch down on reality? How about September, 2044? Just in time to pick up his younger self.

What about the 1957 paradox?

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A CLUE IN THE WORD OF THE WITNESS?

The Word of the Witness refers to an "expected Primary" in 1957, but does not reveal a name. Jennifer mentioned that her Primary-ness kicked in with puberty, which makes a mutant-y kind of sense to me. So, if we're to trust the Word of the Witness, and the Tall Man, then C+C will be looking for an adolescent. The young Samuel Ramse.

The Messengers have been sent back to paradoxidize Sam. What would make this a more massive paradox than any other so far? Perhaps they assault Sam just as his Primary abilities manifest? Or maybe his time displacement has somehow supercharged him in some way, augmenting his Primary potential, and thusly priming his paradox to be more powerful.

IF RAMSE IS THE WITNESS, THEN…

I think Sam is the paradoxed Primary. Given the consistently tragic turns we see in this show, I have to ask—what's the worst possible scenario we can think of?

Ramse paradoxes his own son. Why would he do that? Some kind of ultimate Atari. But he would have to believe that his son wouldn't die. Maybe he knows that somehow? That would give him/them the two years together after the reported 1957 paradox. Hrm…

A not-worst scenario would have the Messengers succeed, due to C+C's distraction or failure. This would set Ramse against them, determined to manipulate time to preserve and save his son. He would be dedicated to re-creating the scenario of Sam's paradox death, but somehow replacing Sam's death with someone else's, creating a moment of choice/decision like Young Jennifer's in "Resurrection."

THE PARADOX…

Regardless of who paradoxes Sam, it happens, and the event swallows the factory, the house, and the surrounding fortress and drops it in the red tea zone. The blood of the Red Forest? The blood of all the unprotected, non-serumed people caught in the blast. Also, perhaps, the blood of anyone who ever dies in a paradox. My theory has been that the Witness ends up in the Red Forest due to a paradox involving himself. He loses his corporeal self and only his consciousness remains, inhabiting the house in the Red Forest.

Seems like what needs to happen is that Sam and Ramse are blasted into the red tea zone. They live together for some time until Sam, without the protection of quantum serum, dies or fades away. Ramse lasts longer, but begins to fade as well, as for whatever reason, he's never had complete protection from time. This is why he creates the "Plague Doctor" gear for himself.

Then, he waits. Spends his "time" in the Red Forest learning and mastering his abilities until Titan arrives to take him back to reality and give him his body back. Perhaps he takes the opportunity to run several Splinter missions to plant seeds of his centuries-spanning plan (i.e. visit Kirschner, perhaps seal the Pact of Time's Custodian). Then he waits to complete his cycle, to be killed (apparently) by his own, younger hand, only to rise again to truly continue his work. A nifty trick he learned from Brother Cole.

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BACK TO TITAN…

I think that serumed-up, C+C survive the 1957 paradox in the factory, and are able to walk out once it touches down in 2044 Colorado as the completed Titan. Time moves around them, right? And paradox energy does funky things to a serumed-up traveler's speed and perception of time.

They hitch a ride w/the factory to Titan in time to meet the Witness with Jennifer and Ramse. Wacky fun ensues!

Or something.

This'll all probably be dinged hard by revelations in tonight's episode, but I wanted to get some version of my crazy talk out of my head and in front of me to revisit later. If you're still reading, hope you enjoyed the ramble.

Unmake history!

Keep on keepin' on~

P.S. This photo, posted by Sean Tretta, bugs me…

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This seems like it clicks with the factory and its explosion. Who are these people? Why are they important? Are they important? Is this a crop of a larger photo of all the factory workers, and the Xes a tally of victims of the explosion?

Let's say these 12 are important. Who would be important in a paradox event? The ingredients of the paradox. What if the two remaining Messengers are sent to paradox more than one person this time, and none of them Primary (I find it hard to believe that 12 Primaries would happen to work at the same factory)? Could paradoxidizing 12 non-Primaries create the temporal event that Katarina detects and the Tall Man describes? What about removing 12 people whose actions, or whose descendants, have a significant effect on history? Would that produce an equivalent disturbance?

P.P.S. If tonight’s ep doesn’t totally obliterate the Elliot Jones possibility, maybe I’ll go back and try to sort that story out in a post.

P.P.P.S. Arrrgh! I love this show! Arrrrgh! =)

Monday, May 23, 2016

12 MONKEYS: 02x05: Bodies of Water: Word of the Witness, Immersion, and stuff…

Some *SPOILER*y discussion of the Word of the Witness. If you haven't watched episode 5 (”Bodies of Water”) yet, get thee to syfy.com and do it. Then come back for the crazy talk. =)

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THE WORD OF THE WITNESS…

So, while wandering stately Witness Manor, Jennifer Tyler Goines finds “The Word of the Witness,” the reality map that guides the Army, presumably created or commissioned somehow by the Witness. (See a very excellent fan reconstruction-dissection *here*…) It includes the names of some of our favorite players, Primaries, events we've seen and events we have yet to, in the future and past, most with rough coordinates in space and time. Also, familiar phrases, including the mantras we've heard spoken by Olivia and the Messengers, the Druze-y Pact of Time's Custodian, and—most conspicuous to me—"THESE ARMS OF MINE."

What's that phrase doing there? We know it as the song that Cassie and Cole dance to at the museum gala dealio, and a musical theme played throughout season 1, which would be unknown to the Witness unless we're gonna break a fourth or fifth or sixth wall in the future. That could work in a HOLY MOUNTAIN or ANIMAL MAN way, but the payoff would have to be a whole season of action after the reveal. That could/would be amazing. =)

But for now, we're gonna keep it to three walls, and the only important association of that song with our plot and characters so far is that it's the song they dance to. I had a flash to the idea that it would be a detail that Cassie and/or James would pass on in the story of how they met and fell in love, when they tell that story to their child. A sweet idea, yes? But not one that I'm holding onto right now…

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Something occurs to me—the Witness created this map. Maybe it's his own handwriting, maybe it's a custom font, doesn't matter. The content of it is dictated (as in decided upon) by the Witness. I think it's safe to say that the Witness knows where it's being kept, right? And, I think it's also a pretty safe bet that in the course of the war between Splinter and the Monkeys, the Witness knew/knows that it would be discovered by Jennifer Goines.

No doubt the Word is a map that describes the Witness's knowledge of past and future events, and is used by his Army as a guide and reference for their mission, but I also think that some of what's inscribed must be meant for Jennifer's eyes. A specific for-instance: the date of her death, made known to her in 2016, may be the inspiration for turning her Daughters of the post-apoc into a badass fighting force rather than a Temperance Society or Prog Rock Band.
COLE: And if the 12 Monkeys ever got to you…
JENNIFER: They won't get me with my Daughters around. My army is better than theirs.
And in general, for Jennifer at that point in her life, coming off the meds that suppressed her natural connection to Time, the Word is a trigger bomb. Who knows how many potential leads she will scribble off in the next few hours or days?

So, with that in mind, why include "These Arms of Mine?"

For someone specific to see it.

Think about it. What does "These Arms of Mine" mean to Jennifer? Maybe her Primary abilities gave her an unsolicited glimpse of that moment, ostensibly an important moment in James and Cassandra's relationship. Maybe not the moment when either fell in love w/the other, but definitely one that they would both recall fondly and over and over again later in life, regardless of how things end or last. How would Jennifer interpret this? I think it's safe to say that the Witness considers the song important, and so, that event—Cassie and Cole's dance—important. But who would know to associate that song with that moment? Only Cassie and Cole (and anyone they share it with, true, but let's keep variables to a minimum and say that no one they tell remembers). So, what else can Jennifer think except that one of them is the Witness. She's already been Primarily clued into some kind of doom associated with the two of them…
JENNIFER: You want her to love you, but she doesn't. Being single is not the end of the world. You two together is, though.
What will Jennifer do with this information? That’s the real question. Time will tell, I suppose. =)
A few other ideas about why "These Arms of Mine" should figure so prominently in the Word. Note that they are not necessarily mutually exclusive with the idea above…
  1. It's code. It stands for something else. Maybe a cycle or phase of a cycle. The initial letters strike me as somewhat conspicuous: T A O M. The Army of Monkeys.
  2. It's a password. It unlocks the files on the Druze USB stick.
  3. It's an anagram. Yeah, what are the chances? Lucky for you, I have trouble sleeping…
    The funnest I could come up with: RAMSE IS THE FENOM =)
    The most serious: TIME FEARS NO SHEM (or SHEM FEARS NO TIME), where "Shem" could be the name of Noah's first born (http://www.abarim-publications.com/Meaning/Shem.html), and/or Hebrew meaning someone's essential identity (http://beth-abraham.org/shem.html). The subtleties of Hebrew and Bible Study are not a specialty of mine.
    Some others…
    --- MEN R ASHES OF TIME
    --- RISE OF THE MASMEN
    --- THE ARMIES OF MENS
    --- RISE OF MME ATHENS
    --- FEAR SHOMEN TIMES
    Please let me know if you manage to solve the jumble in a way that really and truly clicks. Thanks! =)
A couple of specific Words worth noting…

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Kyle Slade (born 1939) is apparently somehow “equivalent” to (shares a “ring” with) Syria in 1322. The last time I remember Syria being mentioned was in connection to the origin of the Druze. I'm thinking that the Witness or a minion of his gained the trust of a tribe of Druze in that year. Perhaps he used present/future knowledge to save one or many of them from some threat, or win them some important survival advantage or resource? In any case, he engages them in the Pact of Time's Custodian, which I believe involves a series of directions that must be executed at specific times over centuries. The Druze as characterized in 12 MONKEYS are a people who choose to live outside of and apart from global society and technology. They would be highly insulated from ripples caused by tinkering with history via time travel, and thusly, the perfect long-term agents of the Witness in reality.

I’m looking forward to an encounter with a truly mad Primary. How would a Primary choose victims? Wouldn’t they be fated to die by his hand? A curse or a guiltless existence? Whatever the case, the vibe coming off of Kyle Slade at the end of this episode is pretty heavy on bloody murderer. That monkey painting on his unfinished warehouse/loft window looks to be a very particular coagulating red, donchathink?

I wouldn’t mind if it was a cheeky bait and switch, tho. What if he’s dangerous/not like Jennifer and Tommy because he can rationally process his connection to Time? And he leverages it as something more innocuous… A commercial artist? What if he’s doing something like making the Army of the 12 Monkeys cool and edgy?

Yeah… That’s a stretch. Let’s stick w/cerebral serial killer. Always a good time! =)

"The Pact of Time's Custodian must be honored." Seen next to “THESE ARMS OF MINE.” Also a reference to the Druze. I wonder if that time has already passed. Perhaps that's what led to Olivia's acquisition of the ancient relic that hid the USB drive. Hrm… Maybe that’s the case, but the Army has yet to deliver their end on an agreed exchange or compensation. Hrm… I wonder how many Druze have survived the virus and its mutations in the future. Perhaps they will be another force to contend with in 2044.

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IT TAKES TWO.

Jennifer dropped this little bomb on Cole…
JENNIFER: And if they paradox even one more Primary—game over.
Now we know—how many Primaries does it take to get to the Temporal Hell on Earth center of a Red Forest Pop…

T-hoo!~ (2)

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IMMERSED.

When Olivia guides Cassie to the Red Forest this time, it is at the specific direction of the Witness. He tells Olivia: PREPARE HER.

Executing the Witness's order involves what Olivia and the Tall Man refer to as Immersion.
OLIVIA: I will complete the Immersion with Dr. Railly. Alone. You have a plague to reconstruct for your beautiful, uncertain cycle.
This is the full Red Leaf Tea spa treatment. Cassie is placed in a tub of water treated with the crimson herb. Jennifer and Joan Jett appear to interrupt the ritual, drawing Olivia away from Cassie. However, the words prove to be less important than the brew…
TALL MAN: Dr. Railly's Immersion is complete.
In my mind, I immediately liken Witness Immersion to Smoke Monster Infection. Of course, the rules of that were never exact, so all that that really means is that Cassandra Railly cannot be 100% trusted right now. She may be a passive, unknowing, unwitting pawn of the Witness. Her every decision might be dictated by him (so, her decision to stay in 2016 with Jennifer might not have been wholly her own). She may be the Witness's sleeper agent, fully herself until the moment he decides to set her dial to "evil" at a crucial moment. Immersion seems like it will manifest itself as some kind of programming or mind control.

This begs the question: Who else has been immersed?

Olivia? Tall Man? The Messengers? I think not. As far as we know, these members of the Army have joined willingly, as true believers. Olivia has mentioned her father. We know Tall Man's mother was a Messenger, engineered to serve the Army. Maybe it's done as a kind of baptism for the loyal, and helps reinforce already existing faith? But I don't think it's required of the loyal Army soldiers.

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Could Jennifer's mother's attempt on her life have been a disturbed form of Immersion?
JENNIFER: They started as stick figures. Got better as I got older. My mother hated them. The disturbed images disturbed her already disturbed mind.
CASSANDRA: Your mother was mentally ill?
JENNIFER: Not Primary, just sick. She hated them. The things I saw… Madness feeding madness… There's a monster. She wants to destroy the world… It's me… I'm the monster. She tried to drown me, but the tub overflowed, then the maid came, called 911. Daddy spent a lot of money to make that one go away… And then he sent her away, and then eventually it was time for me to go away…
The psych records that Cassandra had indicated that Jennifer's Primary behavior manifested after her near-death at her mother's hand. Could that have been an intended result? What if Olivia (or another Army lieutenant) had Immersed Jennifer's mother? Could her mental illness have resulted from trying to fight the manipulations of the Witness? Would be some grand turnabout if Olivia was responsible for Mama Goines's illness.

When Jennifer rescues Cassie, she has to snap her out of the Red Tea trance. Half-dazed, Cassie says one word to Jennifer…
CASSANDRA: Olivia…
JENNIFER: Yeah… Right.
The way Cassie looks, the way she says "Olivia…" Jennifer knows exactly what Cassie means. Extreme prejudice. She confronts Olivia…
JENNIFER: You tried to make my friend crazy. No more tea, no more water, no more *baths*… You know what the difference between you and my mother is? I get to say good bye to you.
Did we just witness Jennifer's first attempted homicide?

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TALL MAN IS A FAN OF THE SHOW!
*So* love this meta-dialogue! =)
TALL MAN: It's 1975 to be precise. We sent two of our Messengers there after him… We *will* send… It's all this time travel! It's tricky to follow… It's rewarding when you do. Memories…
CASSANDRA: How did you survive the paradox at the bookstore?
TALL MAN: Oh, me? I have really good genes…
Good genes. Half Messenger, engineered by the Father for resilience and time travel. The other half…? I'm still rooting for Agent Gale.

HOW WELL DOES TALL MAN KNOW CASSIE?
TALL MAN: My how you've changed…
To which Cassie is Tall Man comparing her to? Does the Army not know that Cassie shot the Traveler? Perhaps that knowledge is overshadowed by Mama Vivian's story of how Cassie gave up a Primary to save that mifit nobody under the Witness's protection, James Cole.

MOVIN' RIGHT ALONG…

This, when Cole, Ramse, and Deacon pile into a truck for a field trip to an anomaly factory…
DEACON: You are… Lady Macbeth at best.
RAMSE: I never pegged you as a reader…
DEACON: Books didn't die in the apocalypse… which reminds me…
COLE: Jesus, would you shut up! I swear I'd drive this thing into an anomaly right now if I could get away from the sound of your voice!
There was a lot of great jibber jabber among the boys this episode. Including this perfectly pitched dumb boy stuff early on, when Cassie is getting ready to Splinter back to meet young Jennifer…

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DEACON: You all keep going on and on about how dangerous it would be for these Primary wackos to fall into the wrong hands. Maybe the smart move would be to gather whatever information you need and take them off the board.
COLE: Yeah, that would be your solution, wouldn't it, Teddy boy?
DEACON: Hey look, it's Time Jesus.
COLE: See you soon.
DEACON: Watch your back.
COLE: Splinter safe.
JONES: Gentlemen, if you please.
I'd love for Deacon to come out as gay, or otherwise somehow definitively declare his completely platonic relationship w/Cassie. I so want Deacon to be pushing Cole's Cassie buttons. Cassie doesn't even have to be in on it, because c'mon, put yourself in her shoes. It's ridiculous, why bother clearing the air when there's nothing to clear, right?

Not that Deacon doesn't have other buttons to push…
DEACON: Glad to see Cassie's cleaning up your mess.
COLE: My mess? How's that now?
DEACON: Weren't you supposed to save the world? Bang-up job. Love the red skies.
COLE: My job would be a hell of a lot easier if you hadn't walked the Messengers in through the front door. And for a guy who's always going on about traitors...
DEACON: Said the man whose best friend is a mass murderer.

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Gotta say, I love how Cole and Ramse win Deacon's respect. The post-apoc outside of Splinter and Spearhead truly is a wilderness, and the human culture that survives in that has seriously different standards and expectations compared to so-called civilization in 2016. I really appreciate the grizzly reminder of that difference given to us this episode by Deacon's bloody return to the facility after Cole and Ramse's trap.
DEACON: Now, my guys… They don't know what you tried to do, do they? I won't tell if you won't. Respect. Hey, next time you go to the past, why don't you bring back some whiskey? We can finally have that drink.
Think about what dating must be like. =)

Unmake history!

Keep on keepin' on~