Monday, April 30, 2007

iffb 8 : FIDO w/"Rabbit"

site | trailer | IFFBThe zombie renaissance continues! Imagine PLEASANTVILLE meets NIGHT OF THE LIVING DEAD! The result, a ton of really stylin' satirical zombie fun! =)

It's 1950s American suburbia, only the most recent great war was not fought against any other nation or ideology, but on the legions of the undead, reanimated by a mysterious form of radiation. Living humanity successfully defends the best of their civilization, resulting in a life very like the LIFE magazine covers we're already familiar with... Mom greets dad at the door with a martini, dad puffs on his pipe while dispensing fatherly wisdom, and little Timmy loves his baseball and apple pie! There's a car in every driveway, a TV in every living room, and... a zombie in every yard. That's right, a domestic zombie. In the battle against the living-challenged, humanity learned to tame the zombies' hunger for living flesh, thanks to Zomcon's revolutionary electronic containment collar, turning the previously useless undead into productive members of society.

In an effort to keep up with their new neighbors, the Robinson family finally breaks down and splurges on a zombie of their own. It takes a little time for the family get comfortable with him, but once his undead companion saves him from some bullies, little Timmy warms up to him, naming him Fido, and basically treating him like a Fido. Other members of the family come to relate to him on different levels, working out issues of their own in their interactions.

It may sound kooky, but it's a little bit LASSIE, a little bit DOWN AND OUT IN BEVERLY HILLS, and a lot of understated comedy delivered in simple groans and undead eye rolls and expressions from Billy Connolly as Fido. I'll spare you any deeper plot bits, because really, all you have to do to understand the comic potential here is imagine the social commentary power of the zombie film dropped into the sham American idyll of the 1950s, shaken and stirred.

Okay, still need more of an overt prod? Hrmm... How about I put it like this? Ward Cleaver, or, ummm... a flesh-eating zombie. Who's the more life-like? Who's more the zombie?

=)

As an IFFB bonus, the animated brilliance of "Rabbit" opened the screening. The imagination, style, writing, animation, and music of this amazing short is just off the charts for me. Pure frickin genius! =)

Keep on keepin on~

iffb 7 : SUPER AMIGOS w/"The Fighting Cholitas"

site | trailer | iffbAlas, not as much physical luchador action as I'd hoped. And no real team-up/crossover action, either. The individual stories are certainly remarkable—five men don the traditional masks of Lucha Libre heroes and take their progressive fights for progressive causes to the streets of Mexico City—but the storytelling doesn't do them justice. The filmmakers seem to follow some rather loose rules and guidelines for documenting their subjects. The superhero tack they take is a great idea for a unifying motif, and totally fitting with the mythos that each super-wrestler draws upon for inspiration, but I wanted more detail and history, out of it. The film seems to assume that I already know something about these heroes, and goes light on giving us a proper profile or background on most of them. Fray Tormenta, the only one who had a legit career in the ring, came off as the most developed in the course of the film. Perhaps they others needed or wanted to preserve whatever level of anonymity they had...? But that declaration itself would have been appreciated, had it been included on screen.

I really would have loved some words from a Mexico City "Commissioner Gordon" type, y'know? Someone with authority and cred, on either side of the Amigos' fights, to comment on their methods and progress. More testimonials from the their supporters, too. A better defined timeline for the stories of each luchadores social would have helped with the film's intercut storytelling. Comic book "meanwhile"s fit the theme, but does Ecologista Universal (the defender of the environment) truly make his 100-plus mile hike from the Mexican wilderness into Mexico City, in costume, in the time that Super Barrio (defender of the poor tenants of the city) takes to organize a tenant march to thwart unfair evictions.

The choice of subjects is excellent. The superhero/comic-inspired framing of the film is grand, and the animations included to describe secret origins and provide some background exposition are very fun, but the overall storytelling feels incomplete, choppy and convoluted.

The short film that preceded AMIGOS, "The Fighting Cholitas," was better put together. It introduces us to the wrestling Cholitas, both "Tecnicas" and "Rudas," aka good and bad, in the upstart Cholita wrestling circuit in Bolivia. It reminded me a bit of the A&E series ROLLERGIRLS from last year sometime. We see them in the ring, training and battling, and then outside the arena, with their children and family, busy with their day jobs in the workshop or marketplace, and explaining their pride in their Bolivian Indian identity, representing in the ring, and releasing other sides of themselves when in character. And they do it all in traditional multi-layered skirts!

Keep on keepin on~

iffb 6 : KING CORN

site | trailer | iffbA great documentary that focuses on the U.S. corn crop as a gateway to exploring issues of family farming, economics, and health in America today.

Curt and Ian, two best friends just out of college, are struck by a surprising statistic—theirs is the first generation expected to live lives shorter than those of their parents. That was actually news to me. The pair do a little research and consultation and discover that diet may be the greatest contributor to the fulfillment of this prophecy. When they are told that, as 20somethings born and raised in the U.S., most of the food they've consumed over the course of their lives is actually made from corn (processed and used in other foods and used to fatten cornfed livestock), they decide to follow the corn. They start at the beginning, picking up and moving to Iowa to plant themselves one acre of corn, then learn how it ends up in almost every food available at the local supermarket and each sandwich, french fry, and cola of every fast food value meal. As they move forward over the next year, meeting with farmers, academics, researchers, and corporate reps, they learn about the history of corn and U.S. agriculature, corn and food processing, government subsidization and surplus/over-production of corn, and the ubiquitous presence of corn in the American diet.

It's kinda crazy.

At the same time, both 1-acre farmers learn that they have farming roots themselves, some three generations back, and they discover the parts that they're great-grands played in Iowa agriculture and industry.

The film doesn't explicitly tackle the Big Agro names you may already be familiar with, such as Monsanto and Cargill. Instead, they keep the film focused at a smaller scale, at the scope of a individuals and communities, those closely involved with the planting, harvesting, and ultimate uses of modern corn in the U.S. today. It's not a joyful journey, and not very rewarding for either the farmer or the consumer.

If you see the film listed at your local artsy/indie theater, check it out, particularly if most of your life experience has been spent in urban environments, away from farmland and agriculture. It's a very interesting look into that world, just a few state lines away. If you're up for it, I urge you to put this in your Netflix queue right next to FUTURE OF FOOD. They would make for a helluvan eye-opener documentary double feature about the social, economic, and biological dangers inherent in the intersection of agriculture, technology, and big business in the world today.

In the Q&A w filmmakers 1-acre farmer Curt Ellis and director Aaron Woolf following the screening, the question came up of where the blame/responsibility lies for America's dependence on this one crop for affordable, yet unhealthy, food for the growing population. Some audience members pointed to the corporations who manipulate the genetics, politics, and economics surrounding the crop, but Curt waved his hand across the audience and said that we all, as consumers and voters, carry some of that responsibility as well. This year, the so-called "Farm Bill" is up for renewal. It pertains to the government subsidization and regulation of farming in the U.S., important mechanisms in manipulating production and market price of foods in America. I think I vaguely recall seeing it in the news (or even on a ballot of some kind?) some years ago, but not paying it much attention. The director quoted someone and said that it should really be renamed the "Food Bill," because that's really what it's about, and urban and suburbanites would be less likely to dismiss the matter as something relevant only to the midwest farmers. I know I'll pay some more attention.

Some *SPOILER* info that comes to light in the documentary. Data, really. Nothing, honestly, that will ruin the sharing of the experience of these novice farmers, or the film as a whole....

The corn that is most profitable for farmer to grow today has been bred and engineered for very specific purposes and high yield. The government pays the famer to plant, which allows market prices to be kept artificially low. And when the boys taste-test their portion of a record-breaking quantity crop, they find it inedible. What they are growing is a raw material, industrially comparable, really, to something extracted from a mine. As a result, farmers today do not raise any food for themselves. Farms used to be best run by balancing animal husbandry and agricultural practices, but with modern sciences applied to maximizing harvest yields, artificial nutrients and treatments prove far more efficient to nature's materials. Most farms in Iowa today only grow corn, and exclude the raising of livestock altogether.

Keep on keepin on~

Sunday, April 29, 2007

rainy day movie options (IFFBoston)

The last full day of Independent Film Festival of Boston programming is on!
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A sample of today's offerings in the documentary category...

THE THIRD MONDAY IN OCTOBER, about the politics of student council elections in American high schools across America...

SUPER AMIGOS, focused on five Mexican wrestlers who take their masked identities to the streets to combat criminals, slumlords, and bigotry...

MONSTER CAMP, following live-action roll players—participants dress up in character (and race, a la troll, fairy, wizard, what-have-you) to play a game like Warcraft, or Dungeons & Dragons, only in "real life"—in their in- and out-of-game lives...
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And in the narrative/fiction column...

YEAR OF THE FISH, a modern retelling of the Chinese "Cinderella" story, told in a painterly rotoscoped/animated style similar to that of SCANNER DARKLY...

THE TEN, ten blasphemous and hilarious shorts based on/illustrating the ten commandments. From the creator of WET HOT AMERICAN SUMMER (great quirky comic 80s movie spoof fun)...

FIDO, it's 1950s American suburbia, and every home has a color TV in the living room, a car in the driveway, and a zombie in the yard! What could be finer?
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Check out the entire remaining catalog of films and screenings here...

Note that there's still a Monday night of screenings available as well, along with the closing night flick at the Coolidge on Tuesday.

Keep on keepin on~

p.s. If you're looking for a movie option without the obvious stigma of "independent-ness" attached to it, check out HOT FUZZ and GRINDHOUSE, which have been marketed and labelled as indies, but play like plain ol' kickass big screen fun! Provided you like to laugh, and can stand just a bit (okay, with GRINDHOUSE, a *lot*) of violence and action, you will have yourself a helluva good time watching either of these. =)

GRINDHOUSE trailer...

HOT FUZZ trailer...

From SPACED (by the creators of HOT FUZZ)...

p.p.s. CASABLANCA plays at the Brattle on Monday and Tuesday nights this week!

iffb 2007 so far...

Two nights of vball and workywork knocked out almost all of the Thursday and Friday IFFB offerings. I let the details of the festival slide until the beginning of this week anyhow. All of the "After Dark" offerings were easy stand-outs, tho, so I made sure I'd hit those, then set about building the rest of my moviegoing itinerary around the timeslots that remained. And also whenever I could successfully motivate myself out of the homestead. Which has been kind of tough of late...

* April 30. A little note to aggravate myself later when I come back to look at what I saw at the IFFB this year. Celebrity/filmmaker appearances I missed (not that I could've done anything but be a starstruck fanboy)... Will Arnett (ARRESTED's G.O.B.!), Eliza Dushku (Faith!), James Urbaniak (Dr. frickin Venture!)!

*sigh*


So, what I've managed to screen so far, and what I plan to hit tomorrow (Sunday)...

BLACK SHEEP (w "Death Trike"). Friday, midnight. Brattle.
A must-see for horror fans. Those frickin New Zealanders have got some innate talent for creative gore with great characters driven by so much more than an excuse of a story. An almost throw-away joke of a horror concept—genetically engineered bloodthirsty sheep—but executed gorgeously and played to the hilt. Throw in some classic and strong sibling rivalry and horror/hero motifs and you've got a baaadass hilarious action/horror flick!

COMRADES IN DREAMS. Saturday, 12.30pm. Somerville Davis.
A touching portrait of very personal cinema venues in four corners of the world. I love it. It's a tear jerker and a dreams stoker.

AUDIENCE OF ONE. Saturday, 3.30pm. Somerville Davis.
A great documentary, something of a slow-motion train wreck, focused on an incredible subject—a Pentecostal minister receives a vision from God instructing him to direct a science-fiction film as an entertainment vehicle to better spread His word! It's JESUS CAMP meets STATE AND MAIN... or AND GOD SPOKE, but fer real.

KING OF KONG. Saturday, 7.15pm. Brattle.
Awesomely McAwesome. If you get the chance, do not miss it!

THE BEACH PARTY AT THE THRESHOLD OF HELL (w "Songbird"). Saturday, 11.30pm. Brattle.
Witness the birth of the nation of New America in the post-apocolyptic wasteland of 2097! If you dig a quirky approach to post-apocolyptic settings (more with the oddball characters and social and political commentary than the turbo-charged chase scenes and action sequences) you might check this out, but I wouldn't make it a priority. Has some very fun ideas and some decent moments of style, but I personally wish it was more tightly edited, more polished. As a fried near-midnight offering with a good crowd of people, it didn't completely suck. The ending implied follow-up chapters/sequels, but I'm not holding my breath.

KING CORN. Sunday, 12pm. Brattle.

SUPER AMIGOS. Sunday, 5pm. Brattle.

FIDO. Sunday, 9pm. Somerville Davis.

Throw in a sweet random run-in with an old friend between shows at the Somerville theater and that's not a bad couple days at the movies. =)

Eh. It's sort of a life. Sort of?
Keep on keepin on~

iffb 4 : THE KING OF KONG

site | Picturehouse | IFFB | trailerYou've GOT to see this! Man, this is an awesome film! A kickass craft + competition documentary with some amazing personalities and a surprisingly gripping story. Look for it at your local arthouse theater, put it on your Netflix queue, but do *not* go googling for the personalities or details of the events covered by the film. You will want to watch them unfold without knowing the twists and turns in store. Trust me.

I saw the 7.15 show tonight at the Brattle and the packed room was totally into the ups and downs of the film, punctuating all the key moments with the appropriate groans, hisses, laughs, applause, and even fist-pumping cheers. I gotta say, this is a perfect example of the theater environment enhancing the movie experience. After the film, I caught Ned outside with some Brattle/indie regulars, and one of them mentioned that she caught the woman seated next to her crying at one point.

This, at a movie ostensibly focused on getting high scores on an arcade game from the 80s! Wonderful stuff! =)

The AIR GUITAR NATION of classic video gaming!

Right, I haven't actually explained that part yet, did I? I'm a little overly tired right now, pardon me. So, the movie introduces us to this brotherhood of sorts. A collection of personalities who made their mark in the 80s by setting national, if not world, records with high scores on the most popular arcade games of the times, including Donkey Kong. They were teenagers then, but 20 years later, we find that gaming is still a cornerstone of their day-to-day. Some have parlayed their unusual notoriety into business opporunities while others continue to pursue higher and higher scores to this day. One arcade game wunderkind, Billy Mitchell, set a high score record for Kong that stood unchallenged for 20 years. It was considered unbeatable. Enter downsized hobby gamer with an obsessive nature, Steve Wiebe. On an arcade version of Kong in his garage, he breaks the supposedly unbeatable record! When he sends in a videotape record of his feat (including some unplanned offscreen... umm... antics, you might say, by his son Derek =), the classic video gaming authority, Twin Galaxies, has its doubts. When their "referees" start looking into the details, of Wiebe's hardware, and then his known associates, an almost unbelievable web of suspicion and collusion among the record-holding gamers and their referee authorities is revealed. Who can be trusted to provide legitimate proof of a record breaking high score? More importantly, who can be trusted to rule on it? When the Guinness Book wants an authoritative declaration, it can only be settled in a public forum, a video game showdown to learn who has truly earned the title, King of Kong.

Steve Wiebe is such a great outsider good guy, someone who deserves to be recognized purely on merit. However, the world of classic gaming is much dirtier and clique-ier than anyone could have imagined, and Billy Mitchell, insider leader and gamer hero/poster boy can't just sit back and let an upstart nobody knocking his initials down the leaderboard. I don't know what kind of release this film will be getting, but I hope it at least makes the artsy/indie rounds. You do not have to have dropped thousands of quarters into Donkey Kong to get this film. It's remarkable drama, and so much more than just two guys playing arcade games.

Some *SPOILERy* highlights...

Wiebe packs up his family for a trip to Florida, where he will attempt to set an official Guinness World record high score for Donkey Kong. In the car, his daughter tells him she didn't realize that the Guinness Book was such a big deal. He tells her that it is, enough so that people all over the world try some crazy things to get into the book. His daughter than observes, "I think some people even ruin their lives to get in it."

Out of the mouths of babes.

Man, the mulletted Mitchell stepped out of an 80s high school outsider-makes-good film. The jerkass tough guy-slash-cool kid. He surrounds himself—at least within the classic gamer community—with acolytes and minions. When Wiebe begins to make a splash, it's these friends of his who create static about the legitimacy of his claims. And when Steve steps up to perform live, at an arcade and established official gamers' forum, they all but actually heckle him while he plays. This one guy, Kuh, talks to the camera while Wiebe is on a record-breaking run, explaining how well he's doing, but at the same time, always hedging with a remark here and there about all the things that can go wrong. It's just amazing how obvious of a tool he is.

Y'know, in my head, the comparisons of this documentary to actual 80s movies just keep on comin, particularly the ones that center around a competition or sport. They even chose the appropriate songs from ROCKY films for several sequences of the documentary. Good crack!

It really is a real-life KARATE KID for Donkey Kong. No real Mr. Miyagi that I could single out, but plotwise, well, in the end, even the Cobra Kai sinsei's star pupils hafta give Danny his due and their respect. At the end of KONG, Wiebe's straight shooting and earnest attitude and good nature win over more than a few of the gamer insiders.

Something like that.

Man, I really want to play some old-school Donkey Kong now and impress some sweet DDG babes. =)

Click here for some random DK fun collected by Jeff.

Keep on keepin on~

p.s. There's a sweet cameo by Q-bert. =)